from Record of a Pair of Well-Worn Traveling Boots: Be Safe Out There [a brief ethnography]

The middle-aged black man was wearing a blue suit coat that was too big for him, worn around the cuffs, and missing a couple of buttons. It was October, and after dark, which meant it was a little chilly. His clothes under the blue coat were rattier than the coat. Tired flipflops left his feet exposed. In his hands, he held an empty baby bottle. He approached me after I finished pumping gas. Debit cards weren't a thing in those days, and neither were card readers on gas pumps. But in that part of the city, near the university and Short Vine -- another area I ended up spending a lot of time -- you walked in and paid before you pumped. And I've always preferred cash transactions, anyway --chalk that up to my small towniness. 

The town where I'm from isn't remote or isolated in a geographic sense, but I learned early there are other kinds of distance, other types of geography that are difficult to cross -- especially when it's crossed under duress. And truthfully, crossing the distance between where I'm from and where I have ended up wasn't so much a problem for me. But it took me a long time to figure out that there's no going back. Not really.

Cincinnati was the first place I escaped to when I got my driver's license. It was the closest city, and the nearest place of any size. And though I didn't mean to end up there, necessarily, I ended up in a part of town that I would, and do, return to: Over the Rhine. In those days, Vine Street was still an open market for pretty much any illicit thing you could want. Not that I tried any of it; I still had a healthy dose of small town naivete that, for good or bad, managed to save me. But I did witness my first drug deal and accidentally walk up on a sex trade transaction. All the parties involved were amused by my small town whiteness -- amused and too busy to punish me for it. Because while Cincinnati was a dangerous place, and while OTR was probably the place furthest from where I lived -- for a whole host of reasons -- it never once occurred to me that I might have been in danger. I explored it with an anthropologist's curiosity -- and detachment -- that has served me well over the years, no matter how deep I dived or how close to the bottom I got.

He started in by telling me he wasn't just panhandling. He was passing through, he said, pointing directionlessly towards the interstate. His car broke down and his wife and baby daughter stayed with the car because it was chilly out. He waved the baby bottle at me as proof that his story was true. In the moment it didn't occur to me that he might just be hustling for drug money; it did occur to me that he sounded too practiced to be in moment. Growing up as I did around a few truly ineffective liars, I had started to pick up an ear for that sort of thing.  But also, in that moment, I didn't care. I don't know if it was the dedication to his story, or the flip flops. But I gave him a few dollars, wished him luck.

- Be safe out there, I said. And then I got in my car and left, traversing the various geographies back to my hometown, where panhandlers were prime time television extras, where the poverty was just as palpable, but somehow different. A place I would not be able to look at in the same way, or ever really be able to stay -- though at the time I wasn't aware that anything in me had shifted.

I think about him often and wonder whatever happened to him. I see him in every face I've met doing outreach. I've revisited that moment hundreds, maybe thousands of times over the years. And while I don't know if that was when it all changed or when it first occured to me that something had, I'm forever grateful that he crossed my path.

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At Home Along the Dirty, Sacred River, Part 1

Where we love is home -- home that our feet may leave, but not our hearts. - Oliver Wendell Holmes, Sr.

Ohio River at Louisville and Jefferson, IN. 1928

Home has traditionally been a complex issue for me. I've written before about how home is a person, not a place, and that is still very much true. But it also follows that while I have settled down... which is to say, I'm stationary far more than is natural for me... the truth is that the concept of home is one that I continue to struggle with. In particular, other people's notions of home have given me nothing but vexation for decades.

Yes. Decades.

Let me explain.

I live in Louisville, Kentucky. I like it here. Of all the places I've lived, it probably best matches the landscape inside my head. It's both rural and urban, straightforward and urbane, full of possibility and weighed down with deep dark problems that infiltrate nearly every good thing that happens within its borders. Louisville is a small town with a few tall buildings; not because of its size, but because of the way it functions... and sometimes the way it doesn't function. I've lived in other places in Kentucky, from as far East as Menifee County to the rolling hilled-hypocrisy of Lexington. I've travelled the state over, too, from Covington to Corbin, from Morehead to Middlesboro, from Paducah to Pikeville.₁ And except for a decade on and off, I've spent most of the last 30 years here. Kentucky is one of the few places where -- for the exception of  Lexington, which I can never quote forgive myself for -- I have always felt at home. Calling Kentucky home brings up all sorts of complications, the second most challenging being that it's the sort of home you're expected to leave and (maybe) eventually return to.

The most challenging part of being at home in Kentucky is that Kentucky is more or less particular about who it claims.

I run into this problem often in literary circles. It's increasingly common enough to NOT be from Louisville, or from Kentucky. But in literary circles... probably because Kentucky writers are once again an exportable commodity... because of or in spite of our Tin Pot Governor's dismissal of the arts... there's even more of the sometimes overt, sometimes covert protectionism of Kentucky culture and geographical identification.₂

To be fair, I haven't been EXCLUDED because I'm not from Kentucky. That would be like saying no one reads my shit because I'm just one more cis-gendered white guy in America.₃ I haven't been excluded, but living here creates a certain bias on the part of others about what kind of writer I orta be. Literary event organizers here tend to look for that commercially consistent version of "authentic" voices -- authentic but pedigreed, of course -- and while I can claim a lot of experience, many miles traveled, and a regional upbringing, the abstract lines that make Kentucky separate from the other cleaved pieces of geography that make up the Ohio River Valley delineate the cultural boundary, too.

Or, simply put: I'm from Ohio.

True, it's Southern Ohio... Southwest Ohio, to be exact, which is about as culturally divergent from the rest of the state as Paducah is from Pikeville. Ohio, like Kentucky, could be split into (at least) four different states if you look at geography, culture, and other demographic points. Actually, you could cut the Southeast corner of the state and slide it nicely into a larger state called Appalachia... a state that would include not only part of Ohio, but a fair chunk of Kentucky and Pennsylvania too, along with West Virginia.

For me, though, the map as drawn has less to do with the culture of where I live than geography, which transcends... and sometimes confounds... cartography. The dirty scared river's long and storied history as a major commercial artery that eventually opened up the West to the trials, terrors, and seeming inevitability of Manifest Destiny have made permanent imprint on the geography of the nation. And while it's true that the Ohio River isn't as prominent a commercial artery as it used to be, the fact is that without it there would have been no place for wagons, trains, roads, or interstates to be laid. The river, diverted as it is, still runs and still has a say over everything from where people live, how they get back and forth to work, and sometimes, how the weather impacts the area.₄ So, I will never be a Kentucky writer. But every breath, drop of blood, and bone in my body is from the river valley.

And there's something to that, too.

________________________________________________

1. I even went to Fancy Farm once. There is no better explanation of the political landscape of this Commonwealth than Fancy Farm.
2. This actually has much deeper roots than Herr Bevin. He's just one more in a long series of yahoos and crankyanks who think they know what's best for Kentucky without ever actually spending any time in the state's underbelly.
3.I recently had coffee with another writer here who made that kind of observation, but I don't agree. There's room for everyone and all the voices need to be heard. I'll keep scribbling in my basement, unabated.
4, Watch a tornado laden storms hit the valley and split in half just to pass over Louisville. It happens. A lot.

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Near where that barn burned, where all those people died, Part 1

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile.. - Thomas Wolfe, You Can't Go Home Again

I mostly refused to talk myself out of going out of pure, bull-headed stubbornness.

Anyone who knows me moderately well, and a few who don't, are not at all surprised by this statement.

There aren't a lot of things that draw me back to Bethel, Ohio. Other than living there again very briefly in the late 1990's I haven't lived there since I left for college at age 18.  Nostalgia isn't something that creeps in about my old hometown. My childhood wasn't a bad one. My parents loved me. I had a few close friends. I wasn't a wildly popular kid. Quiet. Not a jock. Not an academic star. I excelled at band, but I stayed well below the radar of the guidance counselor, the principal, the majority of girls my age, and any non-familial adult who wanted shape and facilitate my future.

It would be easy to say I feel antagonistic towards my old hometown. But the truth is, I don't. However, it would also be disingenuous to say I have some lingering nostalgia, or some desire to go back.

That's not to say I wasn't nervous. I was. I wasn't worried about former classmates I might see or might not see. I was worried about running into an older self.

This happens from time to time when you embrace change and live your life based on the idea that once you brush a coat of shellac on your life, it's done. I've seen this time and time again. People find the place in their life where they feel the most powerful, the most beautiful, the most THEMSELVES, and they stop. They stop growing. They stop changing. They stop learning. They stop adapting.

When you embrace stagnation as a point of pride, you are in terrible trouble. And so is everyone around you.

I've tried not to stagnate. I've embraced change. When you're a writer, you don't really have a choice. Sharks swim or die. Art adapts or dies. It's as simple as that.

But it's hard to face who you used to be -- or who you perceived yourself to be.

18 year-old me was broken. Broken by a youth spent hiding behind rampant insecurity and social awkwardness. I learned how to hide because hiding was easier. 18 year-old me was devastated by my father's death. It shook my whole world. Before my dad died, it never occurred to me that I would live anywhere else but near where I grew up. After he died, I didn't feel like I could ever live there again. The short time that I did live there again -- renting a bed in someone's laundry room for $80 a month -- reconfirmed it.

That was the first time I ever ran into an older version of myself. Aside from a couple of close friends, people who knew me in high school could not reconcile who I was with who I had become. Still broken -- this time from a blood-letting divorce from my daughter's mother. I dropped out of college and retreated to a laundry room on a back street in a town I knew I didn't belong in anymore.

Me and my shadow. DC, circa 1986ish

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Détente and Domestic Policy

There is no resolution, sometimes.

Arguments over things

less or more important

matter more or less

in an endless geography

that makes up a tiny home.

Toothpaste caps gain weight,

resonate with horror show sound.

When the world reduces, becomes

this compact, this confined –

down to paper thin walls,

remanded décor, plywood cabinets –

random couch cushions become

entirely new countries.

More or less.