Notes on "Locked inside the Difference Machine and other opus erratum"

"Opus operatum" translates as "the work wrought." I like that word: wrought.  I haven't generally feel like my poetry is, for the most part, something that IS wrought; but I've always liked the idea. It makes me think of my grandfather's hands, the hands of a carpenter, and the way he always smelled of wood shavings and nicotine.  Wrought like I imagined the way cars, trains, and airplanes were made; wrought like the real swords I pretended stick were in endless, imaginative games. Wrought, something beaten our or shaped by hammering. It's one of the crunchy words that gets used to describe masculinized creation. Nations are wrought. Industries are wrought and do themselves take credit for what people's hands make. When poets speak of poetry being wrought, it's mostly in a masculine sense; and as I mention, I like the word because it's chewy and because of the idylls it creates when I turn it around in my mind.

But poetry for me isn't  wrought. Not wrought, not wrangled, not forced, not carved, not fought for. It's not drip and dribble inspiration from the muses.  It's also not something birthed; not because I think a poet necessarily needs a uterus to birth a poem, but because that's not ever been my experience with language. And when I read poets speaking of their work... and sometimes worse, when I read people writing about someone else's poetry... the verbiage is generally an active one.  It's like we have to somehow justify the truth that writers spend a significant amount of time sitting down, or maybe trying to contradict the trope of the physically ineffectual wordsmith, or maybe it's an attempt to articulate the sensation of writing to a reader who maybe hasn't had the experience. 

The problem with metaphors about writing is that eventually all metaphors break down.  Even (and especially) the good ones.  After so undetermined and trope specific amount of time time has passed, even the best metaphors need their context explained in order to truly make sense. The same is true of movies, and of a large amount of music.  This break down explains why "To thine own self be true" is almost always treated as a self-affirming mantra and why Romeo and Juliet is still seen as a soppy love story. And if ol' Billy Shakespeare isn't immune, NOTHING is.

The Difference Engine -- what amounts to the first ever computer, was created by Charles Babbage in 18. And although now it's just a calculator that's far too big to fit in your hip pocket to help figure out the percentage amount of a tip, this it's one of those inventions that has transformed the world we live in. And most people -- many of us who use computers daily whether we like them or not -- don't even know his name.

I bring this up because outside of a certain context, Babbage's mechanical brain is easy to dismiss. So to is the fact that automatons (read: robots) are recorded as having existed long before the 18th Century, when they were popularized in Europe... some accounts even written about in ancient China (400 BCE).   

There are people for whom poetry is just another difference engine, or, like Jacques de Vaucanson's Flute Player (1737) is nothing but a curiosity.  I find most people who don't like poetry either weren't introduced to it with the appropriate context or dismiss it because it's not generally something someone does "for a living." Making money as a poet usually means doing any number of things, and in a culture driven by neoliberal capitalism, what a person earns ends up being more important than what a person does, what they make, or what they create.

I think of myself not as someone who wroughts language into poetry but as a lens. The world passes through me like light through a lens and what poetry comes of is nothing but refracted lights and images. This metaphor, too, is breaking down -- like Babbage's machine, the legendary Yen Shi's artificial man, or King Solomon's throne (in some writings described as an ivory and gold mechanical wonder.)

Read this installment of Anthology of Days here.

from Field Notes: millionaire whore's bath/ bad dreams

Kòng  (Nothingness)

I don't know if I've ever been so relieved to hear the sound of a toilet tank refill.

They turned off the water this past Tuesday for nonpayment. I've been without water before -- on the road and living out. I know how to ration and prioritize. I've learned to survive on very little. That doesn't scare me. And even with no water, we still had a roof over our heads. We still had a comfortable bed. We even had a supply of clean water for coffee and cooking, and two rain barrels of water we could use for gray water for non-potable purposes.  There was plenty of food and the ability to cook it. I knew we'd be ok until the snafu got fixed.

But I didn't like the idea of having to think like that... at home.

Most of the time when I'm off the road and at home I bounce between embracing everything I love about being home and feeling like a fraud. Over the years I've grown more accustomed to the domestic sphere; but I can't ever escape the sensation of being a baboon, lumbering around and trying really hard NOT to wreck the place. When they turned the water off --

I found myself wondering about the fleeting nature of high concepts like home and comfort.

It wasn't a question of panic. It was a question of being pissed off.  Pissed that I'd let it happen. Pissed that I wasn't being mindful. Pissed because, even when I was drinking, I made sure utility bills were paid... or at least, paid down. Pissed.

But sometimes being pissed doesn't help. Anger can be a powerful, but dangerous motivator. Being pissed... that's a paralytic.  And we didn't have time for that.

So, we rationed our clean water for us and for the dogs and cat. We had 6 gallons of clean water, which meant if we were careful, we could make it last more than long enough to get the bill paid.
 ____

Dream from the first night:

In the dream I was sitting around a fire in the middle of a dark, expansive wilderness. I've dreamed of this wilderness before, but not of this particular fire. Sitting around the fire with me were my dad, my grandfathers, Steve (my first ex-father-in-law). The other elders are there, too, but there are a lot of them and I can't make out their faces in the darkness. I'm holding my red Bybee coffee mug. It's warm and full of coffee. Dad, my grandfathers, and Steve were holding cups, too. The smell of coffee hugs the air, which is cool. Late autumn. I can't see any trees, but I know their limbs are almost stripped bare.

Looking down, I'm dressed in long sleeves for the weather. I'm wrapped in a blanket but can feel the chill of the night air on my fingers. My hands are covered with tattoos. The firelight makes it look like they are moving: the snake writhes under my sleeve and back down, a crow flies, fish swim. I think I can feel the tattoos moving up around my shoulders, up the back of my neck, and into my ears. No one is surprised by this. I'm not surprised by this either.

All at once there is a great wind and a stagecoach drawn by six white stallions rushes by. The horses eyes are lit with a fire that breaks the darkness ahead of them. I catch a hint of trees, the outline of houses, a trail I didn't know was there. None of my companions moved away from the road as the coach passed. Neither did I.

As it passed, I caught her scent and heard her laughter. I jumped up to follow her, but the darkness closed around the coach just as easily as it opened.

A voice -- not my dad's my grandfathers', or Steve's -- said YOU HAVE TO STAY. SHE HAS GONE AHEAD, AND YOU MAY NEVER BE READY TO FOLLOW.

___

I've taken more than my share of baths out of a sink. It's all about hitting the high -- and low spots.  I have to admit, though, that even I took pause when I used bottled water for a whore's bath. I doubt that Paris Hilton felt as fancy as I felt with my daily ration of wash water.

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Field Notes, 24 March 2019: Beautifully Savage

[Indianapolis:]

Part of me wanted to miss the bus, or for something to go wrong in Louisville just so I could have one more minute with her. It's always like this. Even when I'm compelled to go, there is such a desire to stay, to damn the consequences. And indeed, there would be consequences. I've seen that before, too.

Some aspects of every trip are the same. Indy and the buzzing lights. Chicago Union Station and the great, depressive and beautiful vacuum of that city. Longing and loneliness. And the obligation to write it all down, to somehow make it all make sense, if only for myself, but maybe -- just maybe -- for some other poor asshole out there who is equally torn apart by a need to Go and to See. Someone else who is tortured by the desire to stay, to leave the road for someone else.

At the 2:45AM ticket check I was again asked about a confirmation number. I'm starting to feel punked.

Buzzing overhead lights
and a four hour layover.
Thoughts of you make me wonder
why it feels so necessary
to be anywhere you're not.

[Near Chicago Union Station]

Of course the ridiculous worries about the "confirmation number" were unfounded. The desk worker in Louisville was clearly mistaken/misinformed/harried. The security guard at the Indy station was probably just being a dick because he picked up on my displeasure about the ticket check. They always state the same legal caveat "I am not biased and will check anyone regardless of what they look like." This gives them the blankt authority to racially and economically profile anyone they want without fear of the guard or the company being sued. And naturally, there are any number of ways to abuse tacit authority at 3AM in a Midwestern bus station.

Power is so predictable.
Give authority to a beaten man
and he will beat anyone down
with savage impunity --
in particular, whoever he blames.

Canal Street Entrance, Chicago Union Station

[In the Great Hall, Union Station, Chicago]

The Great Hall is gorgeous. The lights, the statues, the columns and marble staircases. A mish-mash of Greco-Roman with Digital Age minimalism forced into the crevices. Ornately wrought columns and digital screens. Nothing is so American as our nostalgia for the past that never was -- the carefully and assiduously reconstructed one we write ourselves into as the denouement.

Beautiful as they are
all our grand monuments
harken back to a past
reconstructed from afar
so it necessarily includes
us, whether we belong or not.

[Harmonee Ave/Glenview, IL]

Loaded for bear
more people than seats
our steel horse barrels westward
breaching the ragged edge
in search of soul, Big Sky and light.

[Flooded plains outside Columbus, Wisconsin]

Downed and drought
are the only cycles
anyone can really count on.
Everything else is Faith.

[All that's left is the thaw]

Snow lingers west of the Wisconsin Dells. Dirty, tired looking stuff. Knee high piles along the outside

St. Paul-Minneapolis, MN - Union Depot (MSP)

edges and corners of muddy unplanted cornfields. Tiny blankets wrapped around the base of young sycamores and trimming along creek beds. It's all over but the melting here. 

The sun broke out for setting
just east of La Crosse --
piles of dirty snow like shrugged off clothes
lay around the edges
of soon-to-be plowed fields.

[Black River, WI]

Broken up ice islands
The waters are high.
We're coming upon the Mississippi
to breach the great boundary
into Minnesota.

Every time I travel I'm awe struck by how beautiful and how beautifully savage the landscape is.

[First 'Air Break'/ Flood Fight]

Chatted with a woman name Kristy and a man named Dean, both from Fargo. They were strangers to each other but both going home. When they found out they were both from the same place, they started talking about the 'Flood Fight.' Every year when the snow melts, people volunteer to make sandbags to stave off the inevitable flooding of the North River. Dean is volunteering for the first time in several years. Kristy volunteers every year, but her job allows her to volunteer and get paid for it. Dean said they are calling for 1 million sand bags this year. Kristy said they are expecting floods about 41 feet, worse than 1997.

All I said was that water always runs down river eventually. All I thought about was how much we don't need the water to rise anymore at home. But that's life -- it's all connected and everything runs downstream eventually.

-MKP

~

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Letters from Trumplandia: Invisible City, Part 3

Part of outreach means we end up seeing some the same people over and over. Sometimes we don't see certain folks for a span of time because they went inside, or got sober, or started getting treatment for their mental or addiction issues.  And that's always a good thing. I'm always happy to see our folks, but there's a few that I would be happier to never see again, if only because they need to get off the street for their own safety or health.

But sometimes we don't see people and we feel the dread in the pits of our stomachs.

The area around Wayside Mission is a heavy population area, not just because of the homeless shelter, but because of the large homeless population that lives adjacent to the shelter. Some of them won't go in -- concerns over safety, petty street feuds that spill over or are exacerbated by the shelter's policy of giving some residents the job of policing the others, regardless of their capacity to be able to do so, and the shelter's policy of splitting families --  and some of them can't because of legitimate bans due to violence or drug use that endangers other people.

Amanda and I hadn't served down there in a while because of shifts in the population and changes in the routes over the last year that we hope does a more effective job of serving as many of the community as possible. Historically, people have been run off from the downtown underpasses and around the shelter at three watershed moments here in Louisville: before Derby, before the State Fair, and when cold weather sets in. The motivations for these are different, but not really. The city likes to "clean up" it's image for big money events like Derby and the Fair, and whitewashing the city's homeless community is one way, besides planting more rose bushes and cutting the grass along the highway, that the city does that.

LMPD annually engages in a more focused harassment of the city's homeless at the onset of cold weather, apparently for the benefit of the homeless. By all accounts, the thought is that by putting pressure on the community to move on, the city is helping push them to the shelters or other services.

This sort of thinking is an example of the staggering disconnect between the bean counters in Metro Council Chambers and reality.

But as the official and unofficial sweeps continue, it never ceases to amaze me who is able to fall through the cracks. This past week, Amanda and I went with the route that currently serves the underpasses as extra support and to make it easier to pass out meals and supplies.

We were also tasked with finding a family that had been in the area the last few weeks -- a couple with two small children. Usually, we serve them in their vehicle, but they have insisted to outreach workers in the past that they go into Wayside at night. This isn't the first time we've heard this, or seen it in practice. The city has very limited resources for homeless families. So when they do go to shelters, families are split up.

This is one of those cavernous niches that the homeless fall into; because even when there aren't any children involved, and even if they can prove they're married, couples are separated -- effectively isolating them from the one person they count on for mutual aid and survival. And while this can sometimes help vulnerable people escape dangerous situations, the families are collateral damage.

We didn't find the family. Their vehicle was not even parked out front, in spite of the fact that it was spotted earlier that afternoon when the kids were riding their bikes on the street. If we had seen their vehicle, that would have meant they were at least in the shelter waiting room before the staff at Wayside split them up for the night. Because it wasn't there, there is no telling where they were on a night when the overnight temperatures were going to reach freezing.

Sometimes it's who you don't see that gets to you.

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Letters from Trumplandia: Invisible City, Part 2

[This is Part 2 of a series that I'll add to intermittently. It may come in waves of two or three posts in a row, or it may be weeks or even months in between. The focus of 'Invisible City' is my experience working with and around the homeless community. The first part is here. Thanks for reading.]

In addition to the usual route paperwork, I carried a list of 100 or so names. 

These are the names of people whose camps were scheduled to be cleared as of Monday October 8th. As of this writing, the three camps in question are cleared. Although there's a certain inevitability to this, it's hard for me to ignore the timing. Not only is it running up to an important mid-term election, with the mayor up for re-election, but -- more importantly -- cold weather is coming. And although not everyone had moved as of last Sunday, I wanted to carry the names of the people we will need to look for -- our organization and every other outreach organization that serves the Louisville's homeless community. 

With cold weather coming, the main thing at the front of my mind is that once again, there will not be enough beds, even for those willing to enter the shelters. The city will say there's enough, because they always do... or actually, they say nothing and point to the various shelters with an inferred, collective shrug that allows them to pass the buck. After all, the homeless don't vote.

But we didn't find anyone on that list this past week. We may when we go back out to serve. While there are some factors that make how camps disperse somewhat predictable, the truth is it's hard to predict what any one individual will do. We did find a guy in the middle of a seizure. We saw him on the sidewalk on a side street, and when we checked on him, my wife realized she knew him from her job at a local men's shelter. He was prone to seizures, and because the homeless in Louisville no longer have someplace to store their things.

While we were there with him -- he was in the process of trying to stand up and get his bearings back

-- one woman yelled down to us that he was on spice... which he clearly wasn't. Another drove by and asked if we needed him to "dial 5-0" and we assured him we did not. The only reason we hesitated in dialing 911 was because the man was in the process of getting back up on his feet and would have turned down transport to the hospital, anyway. As if being out on the street in Louisville isn't scary enough, he's got to deal with frequent seizures that leave him incapacitated for short periods, increasing his vulnerability. He's in the process of trying to get disability, but there is no streamlined process. And, because he's homeless and has no where to store his stuff, he has to carry his entire medical history with him ALL THE TIME.

Then, adding insult to injury, the default position anyone might take in seeing him is that when he's in the midst of a seizure -- a condition that is not his fault -- he will be mistaken for a drug addict. Because that's where people's minds go, almost every single time.

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Memorial Day: For all the Fallen Fathers (and Mothers), Real and Imagined

On leave in Florida. 

I am 45 years old and I'm still coming to terms with the impact my father's death had on my life. Just when I think I've caught all the ripples and echoes created by the absence of gravity Dad instilled in my life, I end up finding just one more thing. One more ripple. One more echo. And it never stops. The impact of his death on my life when I was 17 has been and is incalculable. It set into motion virtually all the circumstances that my life now is built upon, from my own fatherhood that has long defined the geography of my life to my writing which has long been the compass I've used to make my way through map I draw with every step I take and every line I write, to the deep anger that drove me towards self-destruction,  the weight of guilt and obligation that tore me away from self-destruction, and the imparted wisdom that eventually drew me back to the greatest love I could ever imagine.  My father was a complicated man, though I don't think he wanted to be one. Then again, it's possible that men placed on pedestals always look complicated. Through the years of learning more about myself, I've been able to humanize him a little more... especially as I am now the age he was when I was small and  I was in and out of the hospital -- the age he was when he became my hero and the archetype by which I still (whether I mean to or not) judge all would-be heroes, real or imagined. It also happens that my father was a veteran of two wars (Korea and Vietnam)  that America has

consistently overlooked. I would say that he part of the ignored generation of American Veterans -- but the truth is that our government has historically ignored those who risk life and limb in defense of the ideas embodied in our Constitution and Bill of Rights. Our government breaks bodies and spirits, but it does not buy what it breaks. And while my father was fortunate enough to come back physically intact and mentally steeled, it's impossible for me to say exactly what the impact of his military service was -- which started when he was 17 and continued until he was almost 40. It's impossible for me to understand the impact it had on him because I have never served and because he died before he felt like he could share those stories with me.  I feel the absence of those stories almost as acutely as I feel his. It's also impossible for me to understand the loss felt by sons and daughters whose fathers -- and whose mothers --did not come home alive or in one piece. And although I've long held the opinion that war is a travesty perpetrated by cowards too far removed from the devastation to feel its impacts, as time goes on I find that I see it even in starker terms. War is a sin, and a tragedy with an impact so devastating that it's easier to make more war than it is to examine the impacts.
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Kintsukuroi: Or, Being Humpty Dumpty

The world breaks everyone and afterward many are strong at the broken places. ~ Hemingway, A Farewell to Arms

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When I broke the bowl I was pissed. Maybe more pissed than the situation merited, but that probably isn't for me to decide.  
Keep in mind, I'm not one to lose my temper and I'm not inordinately attached to stuff... as a concept. Certain things among the stuff I have has intrinsic meaning, though. And while the bowl hasn't been mine long, it quickly gained the status of useful artifact.
The bowl, along with a sturdy little cup, was a gift from my wife. And if that wasn't enough, both were made by my friend Beth -- one of my oldest friends and one of the few remaining people from the ether of my undergraduate college years who I still talk to.
People trapped in an avoidance culture full of disposable everything dismiss the importance of artifacts. But I've long maintained the importance of certain things of the various stuff I've had over the years. At one point in my life, when all of my earthly possessions could fit in one smallish suitcase and one milk crate (for books... what else) I still had this red coffee mug from Bybee Pottery... a mug I still have and still use.

The glaze has a crack, but I can't let it go. And yes. That's my fidget spinner.

I don't know if the bowl can be repaired, but I hope it can. Amanda reminded me of Kintsukuroi, the Japanese art of repairing bowls and cups with silver or gold. 

In other words, as my wife succinctly pointed out:

If you can't hide it, paint it red.

At the core of her statement is an idea that runs counter to the avoidance culture we live in. We're not supposed to look like we've been through anything. Entire industries have grown that encourage us to hide everything from our age to our relative poverty (thanks to the usury perpetrated by credit card companies and the stupid amount of importance people put on their FICO Score).  Every truly human thing we experience, ranging from absolute happiness to the darkest of grief, is supposed to be tempered, homogenized, and run through a cultural meat grinder that either reduces it something just one person feels or -- maybe worse -- dilutes it into something that needs to be healed by the latest version of New Age hokum.
Living in the midst of an avoidance culture means every experience we have should be neither too happy, too hard, too sad, or too disastrous as to leave a mark. And when it does leave a mark, we should feel shame and hide them accordingly.
Well... to hell with all that.
The Hemingway quote I used is a pretty popular one. You see it in a lot of inspirational memes that are supposed to make people feel better about going through the meat grinder. But it's also cherry-picked... which is the curse of all great writing and proof that there is some truth buried in it that people want to overlook. Here's the rest of the quote:

But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.

The truth here, as I see it, is that we really have two options. We live and suffer breakage -- which means, at some point, we have to find a way to repair the broken spots -- or we die. Finding a way to fix the broken spots doesn't mean we need to cover it up to make other people feel better, though. On the contrary. It is the things that have broken us that we have worked to repair that make us beautiful. It is these things that make us human. And moreover, it is these things that bring out the divinity buried in every person. Our broken points bring us closer to oneness with God.
The beauty of artifacts and of people... especially the broken ones... is that they bear the mark of our having lived through the moment when the break happened.  It means we survived. 






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Every day is a title fight: the last round

I haven't felt like blogging lately, at least in the vein that I normally do in this space. That's not to say I haven't been writing, because I have. And it's also not to say that there's lack of things to  expound upon and I haven't developed a case of apathy for the general state of the world. But I am aware that just having a blog, a slightly above average vocabulary, and a need to string words together just to feel like I'm not wasting space on the planet are not enough to drive me to comb through all of the comb-worthy things happening in the world to lay out my opinion on them. 
This could have something to do with the fact that I just turned 45, or with the fact that I recently got my 90 day chip from AA. 

From Inferno, Canto 29, engraving by Gustav Dore'

Part of the process, other than being able to sit in a room of other People Like Me and say "Hi, my name's Mick and I'm an alcoholic" is examining both the impacts and causal relationship of drinking in your life. It's taken me forever -- 90 days, actually -- to get a sponsor I trust enough to let be my sponsor... which is to say, I found someone whose experience and opinions I trust so that I can release myself into the life-long process called sobriety. 
My sponsor is the Virgil to my Dante in this journey. And yes, being in the process of maintaining my sobriety feels more like a circle of hell than a ring of paradise these days. Even though I've been really productive lately in my professional life and doing a pretty okay job of keeping my house in order, the fact it there isn't a day that I don't obsess over drinking... even if I'm just obsessing over not drinking.  
When you're not in recovery, or if you're not one of the 10% of the population with this particular allergy to alcohol, it sounds absurd. I know that. I also know it sounds equally absurd that as I am engaged in the process of my sobriety, I know that relapse is built into the disease. 
As Virgil says... my sponsor, that is ... it's never a question of IF we will relapse. It's a question of when. 
In last two weeks, two people I care about very much, people in my recovery community, have relapsed. They both struggle hard with their addictions... for them it's drugs and not booze, but the disease is fundamentally the same. The most recent of them relapsed on his 90th day of sobriety. It's hard for me not to think about that in terms of the dumb luck that's kept me sober for 90 days. Dumb luck or faith, depending on what day it is, how I feel, and how I feel about myself. Today it feels like dumb luck. Tomorrow, with any luck, I'll still be sober and feel differently about it.
Part of being sober means I feel things differently... which is to say more. One of the reasons I drink is that I get really worn out on feeling things. Working in homeless outreach and seeing what people go through, or what they put themselves through, or what they have no control over, hurts my heart. It makes me angry when politicians and some so-called religious folk dismiss, ignore, and erase the suffering of people. School shootings make me scared for my friends who are teachers, for kids, and for their parents. That people place the need to own a death machine over the lives of children enrages me. That Kentucky's governor can only dismiss violence by blaming video games, only to commit economic violence upon teachers and students in the name of a balanced budget deepens my mistrust of governments, of institutions, and of people in positions of power. 
There's so much to write about, but I'm not convinced that being one more blogger in the blogosphere makes a damn bit of difference. I'm not sure this is a time for bloggers. But I know it is a time for poets and artists. That's one arena where the fight is and that's where I'm going to be... and yes, some of it will get posted here. It's not like I'm going anywhere. I'm just shifting my process and step work to something more productive.
I've written before that everyday is a title fight. And it is. I've written before about fighting my demons, and I'm sure I'll write more. But no one talks about the fact that we end up fighting our angels, too. And contrary to popular belief, angels and demons aren't always on opposing sides. Sometimes they tag team. And sometimes faith wins. Other times it's dumb luck. Because we're just people, and flawed, though, it's sometimes damn hard to tell the difference.

But the fight goes on, anyway.

By Gustav Dore'

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Just yesterday morning, Part 3

All things are made bitter, words even / are made to taste like paper, wars gets tossed up / like soldiers used to be/ (in a child's attic) lined up / to be knocked down, as I am... ~ Charles Olson

The life of reality is confused, disorderly, almost always without apparent purpose, whereas in the artist's imaginative life there is purpose. ~ Sherwood Anderson 

Give it about 30 years and no one will even talk about Daylight Savings Time anymore.

Seriously. As annoying as it is, as pointless as it is, and as completely illogical as it is, it will cease to be the topic any real discussion.  

This won't happen because the powers-that-be will suddenly come to their senses and realize that moving the hour hand backwards or forwards doesn't actually extend or shorten the day. As a matter of fact, if anyone talks about hour hands, it will be in the sense of a quaint curiosity. Like jewelry made out of the hair of a dead loved one or the concept of privacy. All things fall into the dust of quaint curiosity shops of the mind -- including curiosity shops -- so seriously, don't put too much stock in the illusion that you're getting an extra hour sleep when we  FALL BACK IN THE FALL.

Don't worry about it. The Internet of Things will do it for us. We won't have to think about Daylight Savings Time because the ability to think about anything -- like the ability to read a clock or have a private thought that can't be described by a meme -- will have disappeared and we will have the IOT (Internet of Things, or, as we'll maybe call it NetStuf) heft the apparent burden of consciousness for us.

But if this Internet of Things... I mean, NetStuf... is so damn dandy, why can't it fix the hole in my ceiling? It can, apparently, predict what kind of advertising I'll respond to based on (really, very) random keyword searches. It can tell me who I was in a past life. It can tell me how I'm probably going to die and -- based just on my Facebook profile picture -- tell me where my ancestors came from. This Internet of Things assures that I'm instantly and permanently connected to countless facts, factoids, fake news, friend updates, new business connections, and scores for everything from the little league game (in languid immobile Summer, anyway) to World Cup Soccer.

But it can't crawl up into the very small and sort of claustrophobic space under the ceiling awning off the attic and repair a hole. It can't climb up on the roof and make any necessary repairs. It's 2017 and there are robots that can vacuum your house while you're gone... not that we can afford one or could even make use of one with three dogs and two cats to either hunt it, stalk it, or asphyxiate it with the endless trails of shed fur.

Ok, I know. I signed up for this life on the margin, right? Making Art out your life isn't easy, nor, I suppose, should it be. Though I'm still unsure of why. And I feel like I've been asking that question a really, really long time.

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Perpetual pilgrim, Part 2: exile amor fati

 I am an exile's book. He sent me. ~Ovid

Exile is more than a geographical concept. You can be an exile in your homeland, in your own house, in a room. ~ Mahmoud Darwish 

Although I haven't lived in my hometown for better than several years and I rarely go back, I do follow some of the comings and goings there. There's an insatiable fascination about the place for me, in spite of the fact that there's nothing there for me but cemetery stones and geographically bound nostalgia. Think of it as something akin to voyeurism.

Recently on the Facebook page for my hometown's historical society I noticed an event. Five local authors were going to converge on the historical society... the old Grant Building where the library was housed when I was a kid ... to talk about how they became writers.

Each of them, I suppose, had written and published books. I only knew one of the names because other than random and terrible violence and the odd billboard paid for by a local church  proclaiming that Satan had taken over the school board, the only thing my hometown ever made the news for was the fame of the The World Walker. No one remembered him leaving on his trip, but everyone was there for the return, including a parade, a key to the village, and an invitation to speak to high school students about his experience.

Now, although I've made my home a few hours south and on the other side of the dirty, sacred river, the fact is that as much as I have no place or purpose in the place I'm from, I'm a transplant everywhere else. I guess it's fair to say that I haven't made The Big Time. There are no parades or keys to the town with ubiquitous invites to talk to ungrateful high school kids about my accomplishments.

Probably one of the most challenging parts of being a writer isn't actually the writing. That's always been the easier part. I don't believe in writer's block and I reject the idea that creative energy fizzles. It changes channel and sometimes doesn't march with popular tastes and trends, but generally the writers who chase trends end up burning themselves out -- not because their creativity fizzles but because they cut themselves off from it a long time ago and decided to sustain themselves on praise and marketability.

The biggest challenge for me has always been the subject of tradition... literary or otherwise. Although I don't remember much from when my thesis defense*, I do remember Dr. Glenn Colburn asking me where I would place myself in the canon of American Literary Tradition. I don't even remember exactly what I said because I was a bit taken aback by the question. I managed to write a collection of integrated (hopefully) poems and short stories. It was probably incredibly abstract and most likely total failure. My graduate advisor asked me once if I thought it would end up being publishable. My answer was that it probably was not at all publishable, because there was no way to categorize it in any way that literary agents and the publishing world would or could understand, or in such a way that agents and publishers could excise their percentages from sales.

I'm still pretty good with that. And I'm still pretty good with probably being a little too left of center for poets and a little to right of center for fiction writers. But it does sometimes nag at me that I grew up in  place that so assiduously tried to erase its history that I've been running all over the place for 30 years or more trying to find one, only to keep running into one inescapable fact: there is no such thing as adopting a literary root. Either you're born with one, or you cobble your own from the flotsam and jetsam of experience. It's that or it's creative death.

I guess it's OK that they didn't invite me, being as I'm not as news worthy as a guy who tried to rob a bank with a pocket knife (in my graduating class.) I suppose it's OK that I still can't answer the question of where I am in the scope of American letters because I'm not a Louisville writer or a Kentucky writer or, really, an Ohio writer... or even a Bethel, Ohio writer.

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