Letters from Trumplandia 6: Clockwork Eternity and Daylight Savings Time (Delayed)

 Certainly, it seems true enough that there's a good deal of irony in the world... I mean, if you live in a world full of politicians and advertising, there's obviously a lot of deception. -- Kenneth Koch

Nations are born in the hearts of poets, they prosper and die in the hands of politicians. -- Muhammad Iqbal

Digital watches were all the rage when I was in second grade.  They were new. They were Clunky. And they were completely modern. However, in order to get one, I had to learn to tell time.

In spite of my clear articulation of the argument that old fashioned watches were going the way of the dinosaur, The Old Man insisted that I learn to read a clock.

"But someday no one will know what they are!"

"You will," he said. And there was no arguing.

I don't know if my obsession with time pieces started there. But I still know what a clock is, even as each generation forgets how to read them just like they're forgetting cursive writing.Clocks are funny extensions of an abstraction. Man's attempt to not only own the world but to control how it moves through the universe, and by extension, how we move through the world.

The thing about writing is there's always something that needs doing that will inevitably take you away from your desk. In these, the dark days of Babylon under the mighty Trumplandian flag, there is more so.

There are days to be lived and ways to go about it, and always ... and always... there is something to distract you from the things you really ought to be doing. When they are things we embrace and decide they're worthwhile, we call them obligations. When they are things we'd rather not be doing, we call them duty.

When they are things that are forced upon us under the guess of personal choice, we call it a career.

And it is always this career business that ends up defining us -- by how we choose it, or by it how it chooses us , or by how we choose not to choose it.

Daylight savings time is another one of those fake ideas that we give credence to out of habit. There are places in the world -- in the country, as a matter of fact -- that live without having to turn the clock forward one hour in the spring, only to have to turn it back one hour in fall. Arizona, with everything it does wrong (and there is an epic list) does that one thing right. Not changing the clock twice a year has absolutely no impact on daily life except the absence of jet lag.

Yes, yes. The story goes that the government instituted Daylight Savings Time to help farmers. It's supposed to help because it gives them more daylight in the winter. Never mind the fact that the sun is still in the same spot in relation to the Earth, the days get shorter until Winter Solstice and then begin to get longer as the the Earth spins and the sun is, as a result, in a different position in relation to equator.  Never mind that the length or lack or available sunlight doesn't really change what a farmer has to get done.

As a matter of fact, I haven't met a farmer yet who gave a good gawd damn about the length of daylight in relation to the chores that have to get done. Those people are some of the most rock-hard people I've ever met, precisely because they work regardless of the season, regardless of the weather, and regardless of what time the clock says in relation to where the sun in in the sky.

Daylight savings time is nothing more than an absurd delusion that we can control the time. We can't. Time is the current that carries us. The only difference is that we can choose whether we're going to sink or swim.

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Letter from Trumplandia 3: art as memory/ memory as subversion

 Life is subversive. - Ernesto Cardenal

When you are forced by circumstance to focus on survival, it can be difficult to remember that it's as important to nourish your soul as it is to feed your stomach.  Arts-based organizations are poised for a fight that they may very well lose simply because the numbers are against them. Grant money is already being squeezed and if the past budgetary actions of the Republican Party are any indication, the arts will have to find other revenue streams in order to survive.

The squeeze has already been felt here in Kentucky, where our tin pot little fascista Governor Matt Bevin cut money to the Kentucky Arts Council (and everything else) in his first budget. Granted, he did not, as was widely feared, eliminate funding for the KAC entirely... for which they puckered up and kissed his New England ass. There will most likely be another budget cut next year, too. Bevin, like every fascista before him, refers to the arts and things like it* as "nonessential services."

And most likely, when he does, the folks still remaining at the KAC will again express gratitude for Herr Governor's

As Trump's overblown inauguration began to loom as an inevitable reality, The Hill reported that undisclosed sources within his transition team said some of his budget cuts included privatizing NPR and eliminating funding for the National Endowment for the Arts .Naturally, that would be catastrophic for many arts organizations, including educational arts organizations.

Though really, part of me suspects that the announcement was leaked, not so much as a statement of
intention but as a misdirection. 45 has time and time again proven to be a master at misdirection. His entire professional life up to and including his 2016 POTUS election win has been nothing more than an extended game of 3 Card Monte.

The biggest danger to the arts, though, really isn't coming from Trump (yet) or Bevin (yet.) The biggest danger to the arts comes from inside an arts community that has gotten so comfortable that it has forgotten how to innovate.

Without the arts, there is no such thing as civilization. I've said before that society rests not on laws, but on the arts and simple etiquette. In these, the rising days of the new wave, this is especially true. Art is more than entertainment. The arts are our collective memory. And it's been nice to have a government that acknowledges -- albeit grudgingly and not without malice** -- the arts.

It's been nice. But we need to start deciding what to do if it ends.

Over the weekend I listened to David Marcus -- Sr. Contributor to The Federalist and Artistic Director of Blue Box World in Brooklyn -- on NPR's Saturday morning journal show talk about why the death of the NEA would be good for art in America.

His essential argument is that the arts existed before government and don't really need the government, and that the arts need to be competitive in a free market. I'll deconstruct the problem of commodifying art and how free markets are a myth in another post.***

Part of what feeds his argument and gives it validity is the strain of elitism in the arts and how arts organizations go about doing what they do. There was a time when you preserved the arts by opening a gallery, or a theater, or creating a non-profit organization dedicated to preserving a particular art form. These organizations operate on membership dues, donations, patronage, partnerships, and grant money. In the absence of grant money, non-profits have a really difficult time sustaining themselves -- or, if they don't have trouble sustaining, no one knows they exist, their membership stagnates, and eventually the organization disappears because most of the membership dies.

In order to survive, artists and arts organizations have to reinvent themselves, not to try and break into or maintain a market, but to remain the living memory of a civilization at risk. There's more at stake than ticket sales. Democracy is at stake. In addition to the obligation to speak out against the tyrannical new wave, artists are obliged to be the memory of what is happening. We record. We remember. We are the storytellers, the bards, the players. The job is ours, because if we leave it to the historians, the narrative will be an extension of the same manifest destiny bullshit they still teach kids.

In order to survive, artists have to understand that even they haven't declared war, even if they don't like the language of war, even if they believe it has nothing to do with them, that war has been declared on them. In order to survive arts organizations have stop thinking like bureaucratic machines and start being strategizing like a guerrilla army.

In other words, start thinking like a tagger and not the cops who arrest taggers.


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* literature, foreign languages, health care, social services, public education, roads, bridges, and clean rivers.
**GOP deity Ronald Reagan wanted to start phasing out the NEA in 1981, but he was advised by no less than gun and 'MURICA lover Charlton Heston that it would be a really bad idea. 
*** To prepare, if you haven't already, bone up on Karl Marx. 

Letters from Trumplandia: laying the groundwork

Self-erasure is a harsh religion. - from travel journal

I have to remind myself sometimes that in spite of what I think of my general sense of discontent, my own life is pretty good.

When I was younger, and probably smarter though not as wise*, I told myself that my sense of discontent was what drove my writing.  I blamed a small town childhood filled with social isolation and religion. I blamed the death of my father. I eventually cast wider nets and blamed my discontent on the state of the world, the sense of decay I saw in everything around me. I blamed my high school guidance counselor for the Three Card Monte fashion in which she preached about the importance of a college degree to achieving the American Dream. I blamed the American Dream for being fake.

Something in me when I was younger insisted on seeing the worst in things, and I would silently condemn my elders for acting as though nothing was wrong when everything seemed ravaged, burned, and abandoned. I wrapped myself in anger and discontent and I wrote about it. When I was writing about how angry and discontent I was, I would drink and think about how I'd somehow missed the train that every American boy was supposed to catch. At times, I blamed my father for having the audacity to die before imparting any of the wisdom I thought I was entitled to before being pushed into the world.

Yes, pushed. I was pushed. 

Because left to my own devices, I would have cloistered myself off years ago, wrapped in my self-righteous blanket of anger and discontent, ranting to the silence for its own sake. I would not have faced the world on my own because I'd drawn such a dim view of it that it I would have dismissed it out of hand.

Next month I turn 44 years old, and the world has become the world of monsters I imagined it was when I was young.  The culture wars are on fire, thanks to the gasoline poured on by our Fascist-in-Chief.  His supporters are loving him now because he has moved on pretty much every single campaign promise he made. To be fair, I don't know if he's signing more executive orders in the first 100 days than any of his predecessors or if he just signs them in front of television cameras. But I do know that politics is a three ring circus and Trump is the Ringmaster of all Ringmasters; and whatever is going on, I feel like making him roll up his sleeves to check for an arm full of aces.

The art of the deal is pretty much the same thing as the art of the con. It's all slight of hand and misdirection. And while Trump and his lackeys embolden the Proud Boys and Alt-Reich Evangelists to do the dirty work of cultural purification, he is slowly whitewashing America with one hand and jerking off with the other.

In spite of all this, however, I think it's important to remind myself that even as monsters walk the earth in human skin suits, that my life is pretty good. My primary goals have pretty much always been the same since I was 19 or 20:

• write,
• reject workaday time clocks and the masters behind them,
• walk through the world at my own rhythm,
• try to be useful,
• work to be honorable, and
• stand up for what I believe.

Along the way I've also found the love of my life and figured out how to be an ok father.

One of the most challenging parts of it all is to accept that while I could easily cloister myself and ignore the world, that my desire to do so is fueled by ego. To turn away and dismiss everything would mean that I have it all figured out. There's an arrogance to that notion which is toxic to not only the world, but to myself and to the life I am continuing to build.

The internal workings of my life are actually pretty good, and I'm grateful for that. I am lucky to be married to someone who loves me as I am and who I adore with all my strength and the marrow in my bones. I'm still writing.  I have clients and deadlines, but these are things I establish and set for myself. I am trying to be useful and I work to be live an honorable life (although it's more challenging for me than maybe for some other people I know).  Because the internal workings of my life are what they are, I have the ability to stand up for what I believe and do what I think is right.

These are the rights and privileges of a free person, and I have taken my freedom back from those who would take it from me -- bosses, politicians, punks, thugs, and lackeys of powermongers. And it's only because I understand that freedom is something we must take back -- not something that is conferred upon by the high offices of human institutions -- that I know it's not just about me, and never has been.

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*Not that I'm all that wise now. Most days I vacillate

between feeling incredibly stupid and three steps behind enlightenment.

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Beauty is a monster, but it's still worth the search

Let the beauty you seek be what you do. -Rumi

Left to my own devices, I am a baboon wandering the wilderness. I would rather be either 1) at my desk writing or 2) on a barstool drinking than engaged in any other activity.  These two truths about me have been constant for roughly 20 years. I don't expect either of those things to change any time soon.  Both of those predilections have led me have both a ceaseless need to wander and a deep-rooted desire for love and stability. If all of these things seem to be contradictions, then you are correct. This is nothing more than a condensed explanation of the human condition. In spite of our desire to be utterly, drudgingly consistent through and through, human beings are driven by natural and contradictory needs.

A man who does not recognize he is beast with a thin veneer of manufactured civility is lying to himself. I've come around to the idea over the last few years that even admitting this falls short of enough. It's not enough to simply identify the beast. If the focus of a life is to embrace beauty, to seek enlightenment, to live as one with a higher ethic and moral conscious -- indeed, to eventually return to God -- a man has to, to a certain degree, accept and embrace the beast. If we accept Keats' poetic dictum: Beauty is Truth, Truth Beauty'*, we must also accept that beauty is not always a comforting or comfortable thing. Beauty can be terrifying.

The weight on the other end of the fulcrum are my obligations -- to those I love, to those who love me, and to that short list of people whose opinions matter.

Lately I've been writing about the Grand Experiment -- my attempt to both hold down a job and pursue Beauty.  Like every other round of the Grand Experiment, this last round ended in failure. I allowed myself to get absorbed into the work I was doing, scribbling along the way, but ultimately I was chasing something other beauty, other than art. Something other. When this happens, the beast that is me gets surly. My temper -- which I have managed to meticulously starve and bury in the back of my psyche -- starts to taste the air.

I've decided to stop trying to restrain my temper as much as work it like hot steel. It's not so much that I want to fly off the handle, but I want to stop feeling guilty because I sometimes do. Anger, like any other emotion, can have justified roots. Anger, like any other impulse, will be misused and abused if I don't get used to it.





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* "Ode to a Grecian Urn"
 
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Resurrecting dead machines, new year resolutions, and other powerfully mixed cocktails

Be at war with your vices, at peace with your neighbors, and let every new year find you a better man. -- Benjamin Franklin
 
Always do sober what you said you’d do drunk. That will teach you to keep your mouth shut. -- Ernest Hemingway

Last night over dinner with my father and mother-in-law, the topic of new years resolutions came up. I am, not uncharacteristically, close to the chest about those kinds of things. It's not that I don't want to share; it has more to do with my lagging cynicism about them. Most people make resolutions they have very little chance of fulfilling. This isn't because of a lack or absence of resoluteness, fortitude, or good intention.

Generally, people box themselves in when they make resolutions. My wife pointed out the other night when we were talking about this very same topic at home that a large part of why people tend to fail at resolutions is because they word them in a punitive way.

• People proclaim their need to get a bikini body before warm weather (in spite of never having a bikini body by the usual unrealistic and self-loathing driven standards) and swear they will undertake a strict dietary and workout regiment. 
• More than one member of the midnight choir has proclaimed that THIS YEAR, BY GAWD will be the year they stop drinking and act like an adult.* 
• Some people swear off destructive relationships before running off into the night with their heretofore nameless NYE fuck buddy.

The last time I made any NYE resolutions and actually SPOKE them aloud on NYE, I believe I was three quarters of a case of beer and a bottle of cheap rye** into a night that I still, to this day, don't really remember. For all I know, I promised to quit drinking and join the Hari Krishna's.***

I am grateful to this day that social media didn't exist 20 years ago.

And while that annoying cynical voice keeps telling me that resolutions are ridiculous, that it's nothing more than setting myself up for an inevitable feeling of failure and dissolution at the end of 2017, the optimistic part of me that has been resurrected over the last few years**** reminds me that setting goals is a form of forward thinking. It helps to have a general direction you want to go before setting off on the road, and if that tired old cliche about life being a journey has any validity at all... which it probably does, or it wouldn't be a tired old cliche... then I need to set goals for 2017.

A couple of those things are in process. Thanks to my amazing wife, I received a punching bag and gloves for Christmas. Over the last year, I've had to come to terms again with the fact that I do, actually, in spite my best intentions, have a bit of a temper and a few anger issues that aren't all that easy to resolve. So, rather than turning all that anger internally -- which will hurt me -- or externally without focus -- which hurts other people, usually people I love -- I will direct it at a punching bag. I'll never be a boxer, but that doesn't mean I can't feed the pugilist in my soul.

I also decided to resurrect my old manual typewriter. It's a 1957 portable Olympia, which was Sears' market answer to the Smith Corona. It was a gift from my brother and now-ex-sister-in-law. I used it when I lived in New Orleans in a "reconditioned" crack house^. I hammered out two complete drafts of my master's thesis in graduate school. I've written more on that typewriter than I have ever shown the world. And while it will never replace this blog, or my various projects in the digital world, there is something about coming back to the machine that makes me feel good. And if feeling good is wrong for a resolution, I don't want to be right.

I'm also reaching an important mile marker in that I will turn 44 in February. I've considered every year since 27 dumb luck and every year after 33 an undeserved blessing. So here's mud in yer eye, 44.  In spite of myself and a short list of people with questionable taste, I'm still alive and kicking. Ninny- ninny-boo-boo.

2016 has been an up and down year for me. I finally and officially was divorced from higher education. I spent 6 months trying to find another gig, only to find one that, while the pay was decent, the hours took me away from all the things I was working to maintain. I lost friends. I pissed people off. I stepped back from my obligations to speak out and agitate. I hope to spend 2017 building bridges and repairing relationships, spending more time writing and creating and speaking truth to power in these, the waning days of Babylon.

I'd also like to take a dancing class. So there.

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* "Adult" is a subjective term. Hence, most underage drinking is the result of cultural taboo and the notion that it's so fucking grown up to chase oblivion.
**Yes, there was cheap rye once upon a time... before the Hipsters got a hold of it and wanted to be all ironic and annoying.
***At least one of those was a prediction in my high school graduation yearbook. If you've known me that long, you know which one it was.
**** Life has been pretty great to me, actually. I'm luckier than I deserve.
^ When trying to picture this in your mind, use the word "reconditioned" liberally.  In theory the rooming house was supposed to be renovated. In reality... well, let me put this way. I had roommate. His name was Gregor. He was a cockroach. He was there first. He was there when I moved out.

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The Saturday night special: 3 movies writers should watch

Writing can be a lonely business. You spend a lot of time by yourself. You struggle with digital age distractions. You count words, you count line lines. You spend time lost in thought, hunched over a keyboard or with pen in hand over the bottomless pit of a blank piece of paper.

But at some point, you have to pull yourself away and do something else. It's good to have other interests. My brother, who earns his nut in the as one of the architects of the digital world, calls these kinds of activities "analog." He says it's important to unplug and do something else. It helps him relax, and helps keep him fresh for his work.

The same is true for writers. Although you may always be in some stage of the writing process -- even when you're not sitting at your desk working in words* -- it's important to pull away. Take a walk. Read a book. Go have a drink.

I like to watch movies. Sometimes I watch movies for pure entertainment value; movies I have some sentimental attachment to, or movies that fall under the category my wife calls "boy-man movies."** I also like watching movies that help me think about writing in different ways. I'm going to list three here and explain why

Pulp Fiction (1994)
 

Either you love Tarantino movies or you hate them; this one was his second movie after he made a critical and cult sensation splash with Reservoir Dogs (1992).   One of the biggest mistakes that inexperienced writers make is in how they approach time. A good story doesn't have to operate on strictly realistic chronological line. Sometimes a story benefits from not unfolding how an objective narrator might recount, but in a way that the writer can play with ideas and concepts. For all of the critics that railed against this movie's themes (drug abuse, violence, rape, murder), there is a moral core at its center. Jewels gets to live because he changed paths at a pivotal moment. Vincent pays the price for not changing his life in that same moment. Butch and Marcellus both pay for their violence in varying degrees.

This isn't to say that there's a great "a-ha" moment. There isn't. After all, it's pulp***, not a Minnie Driver movie.


Back to the Future Trilogy (1985, 1989, 1990)

I know what you're thinking. You're thinking why do I include all three when II and III were clearly not as good as the first one?  I used to think that, too. The problem with that way of thinking about any movie franchise is that it rests on an instant gratification function. Sequels rarely measure up on that front. But the entire trilogy, from beginning to end, maintains a tight fictional structure. The world Robert Zemeckis creates is fully encapsulated. Of course it's improbable. It's improbable that Marty's mother, as a younger high school girl, would develop a crush on him. It's improbable that Biff could haunt the McFly family for generations. It's all improbable. Then again, time travel is improbable. 

At some point in any piece of fiction, you have to give yourself over to the story. In theater they call this suspension of disbelief. We are pretty good at accepting that. But as a writer, this trilogy represents as tight a structure as you'll find in any piece of writing. It leaves no holes and manages to work over three movies made over 5 years. 
Northfork (2003)

This one is easy to get fooled by. The story itself is simple -- in 1955, a small Montana town is being bought out in order to be make room for a new damn. The modern world is overtaking the old. But there's a whole other story here... a story about a boy who might be an angel, odd divine messengers who are searching for him and who would have found him sooner if not for Nick Nolte's bedraggled and world-worn Father Harlan ability to hide in a small church that the last thing to fall in front of the wave of cold modernity.

This film is probably best example of magical realism that I've seen in English, without subtitles. The worlds merge so perfectly together and create such a masterpiece of problems and themes that every time I watch it, I find something new. Magical realism is difficult to pull off well. It's worth the watch.

If there's a writer on your holiday list, you could do worse than buy them one of these.
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* I have written before under other blog headings that writers are almost always writing, even when they are not engaged in the physical act of working with words. While I believe that's true, I also think it's important to stand up and move around. I always think about reading in Henry Miller's work where the first thing he would do when he felt inspired was to take a walk.
** I have no excuse. I'm a man of a certain age, having grown up in an increasingly violent age. Sometimes I just like watching things blow up in a fictional realm. It's safer than the news, anyway.
*** Fiction dealing with lurid or sensational subjects, often printed on rough, low-quality paper manufactured from wood pulp.(dictionary.com)

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Notes on the Grand Experiment: nothing but a twisted ankle will get me down...

 In forgiving an injury be somewhat ceremonious, lest your magnanimity be construed as indifference. - Ambrose Bierce

Buster Keaton, Steamboat Bill, Jr., (1928)

Somewhere between trying to forget that I hate washing dishes and trying to remember that I do, in fact, like cheese*, I've been remiss in my writing and podcasting duties. Catering, maybe more so than any other job I've had (other than teaching) is more than a job. It is a universe entirely unto itself. It operates on its own time and at it's own speed regardless of and in spite of what speed the Earth is spinning on its axis. It reminds me a lot of life in theater, too, except for the absence of wrap parties. It's driven by a chaotic energy** that doesn't quit and it requires a certain steel backbone and a particular emotional acquiescence in order to enter it.

As it happens, I am a dishwasher. Being a dishwasher requires a respect for the absurd futility of life.

It also helps to be fast.

One of the things that helps, other than I get to listen to loud music and being nice is considered more of a liability than an asset in a working kitchen, is that I keep the image of Sisyphus firmly in my mind. No matter how many hotel pans I wash, there will always be more. No matter how many times in any given work day I wash the 3 foot tall mixing bowl that the bakery uses to mix batter and the hot side uses to make mashed potatoes, it will always come back and will always need to be washed. No matter how many times I wash cutting boards...

you get the idea.

It never stops. Not really. The goal isn't so much to finish as it is to get things looking like everything isn't one dirty sauce pan away from collapsing under the weight of the gravitational chaos the entire catering cosmos is built upon.

Of course, it would happen during what  is probably the busiest week of the last half of the year that I fall and twist my ankle. I didn't even fall at work, though I'm sure a few of the people I work with have been surprised that hasn't happened. No. I fell in my driveway Because life is basically absurd and futile and it never stops.

Well, Dear Readers, there's always tomorrow. And I'm scheduled for a double. Thank God for over the counter painkillers.


If you like what you're reading here, I have work for sale on my amazon author page:
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*I wash so much cheese sauce in any given week. On the other side of nearly being broken of my love for cheese, they make maybe the best Kentucky Hotbrown I've ever eaten.
**Working in a busy catering kitchen is pretty much like signing yourself into an insane asylum. Just take your medicine and enjoy the ride.

Notes from the Bunket #6: the grand experiment resumes

Lord give me a job of work to do. - Tom Paxton

Back to the work force for me. After nearly 6 months of drawing unemployment and trying to find work in a field for which I have ample training and massive experience, I have, at the tender age of 43, entered an industry where I have hardly any expertise at all.

Getting a job in catering means signing yourself into an insane asylum, regardless of how sane you actually are.* It moves fast and for the most part -- even in a good shop, like where I work -- what you don't know you pretty much have to pick up on yourself. It means asking a lot of questions, sometimes to the point of annoying people who would rather work around you to get the job done instead of trying to teach a newbie how things work. While I have tended bar and worked around food, there is a mountain's worth of difference between serving in a sports bar or bowling alley working in fine dining. There are expectations. There are particular ways of doing things so customers feel like they got their money's worth out of the thousands of dollars they spent in hiring us.**

Catering is the kind of work with long and irregular work schedules. 12 hour days are not only common, they are pretty much the norm. With the holiday season fast approaching, I know there are long days and even longer weeks ahead.  It's the nature of the thing and you have to be willing to embrace the tidal wave even attempt it. People at the shop have been asking me if I've gotten used to the long days. To be honest, it's not been the schedule that bothers me. I could tell them about teaching at 3 or 4 different universities at once, sometimes leaving home at 6 am and not getting back until after 10 or 11, depending on where and how many classes I was teaching.  Most everyone at the shop knows I used to teach, but I like to think I approach work with enough tenacity and fearlessness that they are also figuring out that I don't think my past career has any bearing on my position in the shop. I'm a grunt. I like being a grunt. When I'm done with my work, I clock out and leave, and I leave work at work. When you teach, you can never leave work at work. You carry it with you, even when you're supposed to be relaxing.

I plan on working in catering for the next couple of years as move onto some other new possibilities, and I plan on learning as much about it as I can.

Being back in the work force also means that the grand experiment resumes: the quest to balance my creative life and my family life with the world of work. This is a challenge with any job, but I have too many things in the works to pull up my creative stakes and shrink away from all my projects.

The Kentucky Muck Podcast will resume on an irregular schedule, and Alidade: an audio map, will launch later this week. I also have other writing projects to work on, and I'm really looking forward to what being back in the work force will do for my writing.

If you are a regular reader of this blog, you may have noticed the link to a Pantheon page. This gives you the opportunity to help support the writing. Yes, I'm back in the work force, but your monthly patronage, at one of several levels (with accompanying perks!) will maybe someday enable me to return to writing and podcasting full time.

I'm pleased to announce that the blog has it's first patron, Ernest Gordon Taulbee. Thanks, Ernest! Look for your patron-only post later this week as well!

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*I commented to my wife how strange it is that I would end up in a field that attracts so many quirky personalities. She simply patted my arm and said "Well, you did enter it on your own."
**It's crazy how much people spend on food. But then again, it's why I have a job, so...

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Notes from the Bunker #4: There's more than one way to baptize a cat

 What makes a river so restful to people is that it doesn't have any doubt - it is sure to get where it is going, and it doesn't want to go anywhere else.  - Hal Boyle

No man ever steps in the same river twice, for it's not the same river and he's not the same man.  - Heraclitus, the weeping philosopher

Have you also learned that secret from the river; that there is no such thing as time? ― Hermann Hesse, Siddhartha

 There's something comforting about having to start over. At least, there must be -- since I tend to do just that, in some form or another, over and over again.

In my latest regeneration, I'm working as a waiter/grunt for a local catering company. That's my paying gig, anyway. I'm still at work on other projects like my podcasts (The Kentucky Muck Podcast and the up coming Alidade: an audio map), my poetry, and some new short stories. I'm applying to go back to school -- not to study English*, or Creative Writing**, or God help us Rhetoric and Composition***, but to work on plying my skills elsewhere where the machine isn't so broken and the culture not so apathetic.  But for now, the Parsons/Hay household needs more than one salary and "unemployment insurance" that does not insure any kind life above bare sustenance. And while I have spent the better part of six months looking for work using the skills and experience honed over the last 13 years, I am back to working with the one thing I have always been able to count on -- my back.

When it come to work, I'm not a snob. All work is noble and deserves respect. I've held enough jobs in enough fields^ that I know there isn't any difference between the respectability of "white collar" and "blue collar" work. When I was a janitor and when I was a college instructor, I saw work in fundamentally the same way:

Work is a massive and inevitable inconvenience that I seem unable to shake off.

 As I mentioned in a previous video update, my motivations for working have less to do with me than with wanting to be a good husband. I don't mind work, of any kind, as long as I have a reason. I know what you're thinking. You're thinking that staying alive should be enough of a reason. You're thinking that I wanting to contribute to society should be enough. You're thinking that not wanting to be a bum should be enough.

Clearly you don't know me at all. But that's ok. Read enough of me and you'll figure it out.

Some might see my exit from 13 years of higher education experience into a field where I have
hardly any experience at some sort of decline. People who view life in this way -- as some mountain to climb, a la Sisyphus -- might see this as tumbling to the bottom only to have to try and roll the rock up to some unattainable pinnacle.

Embracing that kind of metaphor can be tiring, and I have too much to do that. Once I let go of the fundamental illusion  of "until" and "someday", life ceased to be a mountain and it became a river. Sometime it ebbs. Sometimes it flows. Sometimes, over the course of years, it changes course. But the current always knows where it's going. I doubt I'm going to retire from the line of work I'm currently in. But I know why I'm doing it, and I'm grateful to have the work. I may not be able to avoid the inconvenience of it just yet. But I can follow the current.


____________________________________________________
*Not Again.
**Writers learn to write by writing. And failing. And more writing.
***Hell, no.
^I can honestly say the only kind of job I haven't had yet is a nightwatchman. But I'm young. There's time.

If you like what you're reading here, I have work for sale on my amazon author page:
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Synthesis and (never) forget it

 Poetry is the synthesis of hyacinths and biscuits. - Carl Sandburg

Ain't no money in poetry, 'cause that set the poet free. Well I've had all the freedom I can stand. - Guy Clark

My old high school guidance counselor, at least two different college academic advisors, and more well-intended but reductive thinking givers of advice have regurgitated in my general direction that statement often attributed to the father of the pedantic fortune cookie fortune, Confucius.

This statement is, of course, complete and utter bullshit; but it sounds good when intoned in the ear drums of tween, teen, and college age (and older) "lost" kids who haven't chosen a path to tax-paying socially defined success.  The caveat is, of course, that whatever job it is that you love, make sure it's something reputable and reductive so that when people ask you what kind of work you do, your answer doesn't challenge their basic assumptions about the nature of the life, the universe, and everything.

Of course, everyone likes a writer. Everyone likes a musician. But when either a writer or a musician has the temerity to expect to do what they love* for a living, we are told that's all really cool and all but shouldn't you just love DOING it? Isn't art for its own sake enough?



Art for art's sake is a nice argument for the wealthy class. But it doesn't address the truth that for most of us to create art for its own sake, we have to spend eight or more hours a day NOT CREATING ART and doing something we don't love -- and really, in most cases, don't really like.

But, I still continue to look a jobby-job** in order to do my part for the Parsons/Hay household. As I look for stable work in this "recovered" economy*** I keep running up against the same issues:

1. There are more people looking for work than there are jobs for which they are qualified. I've applied for work that I'm absolutely qualified for and did not get a call back. It's not personal. There are a lot of people out there with similar qualifications, and a lot of them just out of college who will work for less in the name of getting experience.
2. There are plenty of unskilled jobs; but employers have no motivation to hire people with skills and trades to fill them. I'm no snob. All work is noble and deserves respect. But when I apply for those kinds of jobs, I never get a call back, either. Common sense dictates that an employer sees my work experience in the classroom and as a freelance journalist and is inclined to NOT hire me to be a cashier because they assume I won't stick around.
3. The industries I've worked in the before (writing and teaching) thrive on low morale, low pay, and a disheartening work environment.

So when I'm not looking for work that I know I will neither love nor like enough, I spend my days down in the basement, writing, podcasting, and looking for ways to use my various talents to earn a little scratch.^ As such, I'm making a few changes to my blog that will hopefully enable me to help keep the lights on and food on the table.

If you are a regular reader, you will notice a few changes.

1. First, I'm using Mail Chimp to set up an email contact list. This is for blog updates and information about my projects ONLY. I will not sell your emails or contact information to any third party.
2. Second, I've decided to reopen my archives. So, you all have access to my work posted at Fictions from the Dead Machine and American Re:Visionary.  Enjoy.
3. I still have a link to my work published on Amazon at the bottom of each post. E-books and actual books are available.
4. I've set up an account through patreon.com for readers to become patrons. It's crowd source funding that allows anyone to set up monthly payments at different levels. Each level carries it's own level of rewards, included secure and dedicated content for some sponsors.  If you read the blog and like it, please consider giving $2.50 a month to help me keep the lights on. It's about the price of a cup of coffee -- less if you are a complicated coffee drink connoisseur.

One of the perks of that dedicated content is that you'll get the first whispers about my new projects... including the new podcast that it currently in pre-production.

Thanks for reading.
______________________________________________________________________
*To create art, sometimes you hate it. But mostly, you love it.
** A "career" is a jobby-job with retirement benefits.
*** Obama: savior of underpaying, unskilled jobs everywhere.
^ My goal is to make a living with my art, not a killing. I want to live, not work to death.
 


If you like what you're reading here, I also have work for sale on my Amazon Author Page. Thanks for reading!

Roar of the leisure class warrior - something towards a draft manifesto (Or a more thought out explanation for my daughter)

What we spend our time on is probably the most important decision we make. - Ray Kurzweil

In our production-oriented society, being busy, having an occupation, has become one of the main ways, if not the main way, of identifying ourselves. Without an occupation, not just our economic security but our very identity is endangered.  - Henri Nouwen

My kids are in hock to a god they call work
spending their lives out for some other jerk. - Utah Phillips

Lately I've been thinking about the indicators people use to define success.

This topic is not a new one for me, and those of you (if indeed, there are any among you Dear Friends and Readers) who have been reading me for more than a few posts and more than a few blogs have probably picked up on that.  If you're one of those who used to read my American Re:visionary blog* and have followed me down here by the river side, you know good and well that I rejected the specter of traditional success, along with all of it's pomps, circumstances, and traps and dropped it somewhere between Butte, Montana and Boston Massachusetts.

Some men** define their success on their income. Some on the kind of house they live in. Some on their golf swing, or what percentage of -- or how many -- cases of beer it takes before they get shit-faced. I've known men who define their success within the parameters of their level of education, their lack of formal education, the length of their beard, and the size of their gut. I have seen men who I suspect define success based upon how big their truck tires are ***. I've known men who defined their success based on how little they slept.  Fathers sometimes mark their success by their children's general happiness and appearance of "success."+

The problem I find with these measuring sticks of what is and what is not success is that they don't really change, and I have found that success -- like every other aspect of life -- changes.

I have at various times, defined my success by my education; by the number of political figures I have annoyed and offended; by the number of bosses, department chairs, and people in socially constructed positions of authority over me I have pissed off; and by the ability to play the trumpet well.++ I thought I reached a measure of success when I was writing for the local-dining-and-concert-guide-that-shall-not-be-named-here.+++

Time is the only yard stick that matters, and the only currency that has any real value. While it's true that I'm not employed^ at the moment, my time is occupied with those things that matter most to me: my art, my family, my garden. I've never particularly felt the need to maintain regular employment as a condition of deserving dignity.  I agree with the idea that a man needs to DO something. But I question the assertion, often made by people who are terribly concerned that they are doing all the heavy-lifting for humanity^^ that everyone needs to go out and "get a job." I see that sort of noise a lot, generally in regards to anyone panhandling. The long history of vagrancy, anti-vagrancy laws, and people general  ooky-ness about people living in some other reality other than that of a worker bee for the capitalist state aside, I have chosen to reject the yard stick for success that measures me against the number of zeros in my pay check -- or, indeed, if I make a paycheck at all.

Yes, I have to find a way to make a living and meet my obligations to the home I'm making with Amanda (love you!) and to my art. Yes, I do like to have a little cash on hand to buy a cup of coffee, to rent movies, buy books, or go argue politics^^^ at the neighborhood watering hole. But I don't need to make piles of it prove anything. And I don't need the trappings of success as defined by the larger cultural imprint that would have judged me as a failure years ago if I had bothered to listen.

I do have my methods of measuring my success, though.

The first is whether I can sleep soundly at night. Most of the time, I sleep pretty well.

My other measure, at least lately, is whether or not my nosy, rude, and overall obnoxious asshole of a neighbor, Chalkline Larry, spies on me. He spies on us a lot. Just this morning, I caught him watching me as I watered our front yard garden. The expression on his face was one of disgust.

From this, I can only conclude that I am living right.

______________________________________________________________________________
*Sorry, no link... it's indefinitely archived until such a time when art, science, and religion can somehow figure out a way to reanimate the corpse of the American Dream without it turning into another zombie.
**While many things are true of all people, I am, probably to my detriment, sticking to a group I feel I have some understanding of. It's true that I have met men who claim to understand women; but as far as I can tell, they are either deluded or liars, or both.
***More often than not, I feel sorry for their love partners. Not because size matters -- but the inability to understand proper proportions leads to someone going to sleep unsatisfied.
+It's the rabbit hole. Success is, in the way, often described with the same terminology as pornography,  i.e.,  "I know it when I see it." And generally, in both, someone ends up getting screwed.
++I was a pretty good trumpet player once upon a time, back in high school. I had trouble picking it up after high school, though. 
+++Yes. I hold grudges. It's a failing, but I'm working on it. You can google it. I wrote some pretty good stuff that they didn't, in the long run, deserve.
^ According to the powers-that-be, I am one of the great unwashed masses. But don't worry. I'm sure that Bevin's inhumane policies will somehow lead me to a better billet. These things just take time, I guess.
^^Martyrs All. Without their self-crucifiction, the homeless could use the wood for heat. 
^^^ Or sports. Around here, that pretty much boils down to the same thing.

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Donations are also appreciated, and help keep the critters in kibble and the lights on. Thanks for reading!

Old friends, new soil, and starting over

Lay this unto your breast: Old friends, like old swords, still are trusted best. -- John Webster

There is only one day left, always starting over: it is given to us at dawn and taken away from us at dusk.  -- Jean-Paul Sartre

Many demolitions are actually renovations. - Rumi

You're not the same as you were before. You were much more... muchier. You've lost your muchness. -- The Mad Hatter

What I'm worth here: one stale donut, probably left by grad
students who don't know how to clean.

Eden is built one shovel full  at a time. 

Yesterday I was out in my front yard, digging up the grass layer in a 4x5* plot of ground for a garden expansion. We've talked about this expansion for about two and a half years but, for one reason or another, hadn't gotten around to it.**

It's really unfair to call what now grows in our front yard grass. It's more like a picker's pack of weeds: three-leaf clover, crab grass, and the remnant of what used to be, I think, a flower bed. In characteristic fashion, the previous owners, The Beamus's*** chose to fill everything in with the cheapest fill they could find. Underneath the picker's pack of green weeds there's a lot of clay (not surprising for the region) with a mixture of plastic bits, pieces of walkway brick, and other debris I'm not sure I want to identify.

I haven't cleared a space of ground like that in more than a couple of years. This time last year, between my foot problems and the stabbing leg muscle cramps woke me up out of a dead sleep or would strike after any kind of physical exertion, I wouldn't have been able to tackle the project and hope to finish it. But this year, I did it -- because of some smart medical advice, some more attention to my own health, and the fact that I'm too damn stubborn to let the machinations of darkness win that easily.

Yes, the previous statement is dramatic. But I'm probably in a dramatic mood because today is my last at the University of Louisville, home to the corrupt as hell but still as of yet untouchable Dr. James Ramsey, in Kentucky, where our tiny tin pot fascist governor is going after higher ed ^ like  Richard "The Iceman" Kulinski.

My end of the semester exodus from this campus will most likely mark an end to my time in higher

The All-Seeing Eye above my cubicle. I'm leaving it for the
next inhabitant. I rarely feel lonely with it watching me.
Always. Always watching me. Like a tender,
patronizing, fascist. 

education. And while I'd like to claim I am marching out by choice and kicking the dirt off my work boots for its repudiation of me, the fact is these Institutional and Harrowed Halls have spit me out.

There's no room here for a guy like me. I make all the wrong kinds of noise and annoy all the wrong kind of people, in spite of the fact that I consistently do my job.  I've worked to improve my lot and the lot of other part-time cogs^^ like me, but all that's happened around here is nothing. A large swell of a wave, lots of potential energy biting to go kinetic, and then...

NOTHING.

Nada.
Nunca.
A pile of old dog shit in a KFC bucket.

After my retaliatory bum's rush from KCTCS, the drive to make any improvements dried up and disappeared because there was no one willing to step up be the next standard bearer.^^^

Part of my mistake has been, I think, my desire to behave like a far more diplomatic person than I actually am. When I try to act in a way incongruous with my basic nature, things always, naturally, go askew.

I am not a diplomat. I am not the person to go in and reach a compromise that satisfies no one and placates everyone. I am a contrarian. I come from a long line of contrarians. I'm a wrecking ball. I'm an embodiment of the whirlwind. Time and experience haven't dulled this about me, nor do I expect them to any time soon.

I was reminded of this recently, when a friend from my graduate school days, Stephanie, came in to River City for a conference. We met for drinks at one of my favorite downtown dives and talked for several hours. I've always had a soft spot for Stephanie. We're cut from a similar contrarian cloth. That's not to say we see the world in precisely the same way. But she reminded me that there's a necessity to calling out injustice, to standing up to bullies, to aiming for a higher moral and ethical standard. Old friends are good precisely because they can

1. keep us honest, and 
2. they have a longer view of our lives than we do sometimes, as we are stuck living day to day.

So, yes. I'm starting over. Again. I've gotten pretty good at it, actually. I'm armed with the same weapons that have gotten me here. Eden is built one shovel full at a time. Sometimes I shovel cheap fill. Sometimes I shovel shit. It all turns to fertile soil eventually. And as I move forward, I know I'm not working towards some Sunday morning Meet the Press commercial retirement fantasy. Poets and contrarians never retire.

I'm not investing in my retirement. I'm training for the next fight.

________________________________________________________

* Not precise. Yes, I eye-balled it. And it's a little crooked. That's what second growing seasons are for.
** Last year was a busy year. The year before that, we were broke, or damn near. Some plans have to wait for the situation to present themselves.
***May their names be struck from the book of careful homeowners.
^Yes, I'm aware of the lawsuit being organized by Andy "Don't call me Baby" Beshear. Keep in mind that under his Daddy, former governor Steven "At least I'm not Ernie Fletcher"  Beshear, the state budget cut higher education 10 times in a dozen years. Truth: Democrats like an uneducated population, too.
^^Because from an institutional view, that's all any of us are. Cogs that can be replaced. Usually with a less expensive one that's made out of plastic and manufactured in a sweatshop.
^^^ In classic military strategies, standard bearers marched ahead with the drummers to embolden the foot soldiers. NOTE: Standard bearers usually died first. It's a strategy of demoralization that still mostly works.


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Echoes along the dirty, sacred river: settling up with the past

 In this bright future, you can't forget your past. - Bob Marley

The past cannot be cured.  - Queen Elizabeth I

Echo and Narcissus, John William Waterhouse (1903)

 In the process of moving something around in the basement bunker where I write, record The Kentucky Muck Podcast, and try to play a little music now and again, ended up going through old files. No matter how much of a minimalist I aspire to be, nothing makes me feel like an gold medal level hoarder quite like going through my files.

I have a bad habit of putting things away in an attempt to not lose it, only to forget where I put such and so thing away shortly thereafter.

"Well shit," -- what I say to myself when I run into myself having made my life far more complicated than it needed to be because I found every 10 mm socket* I bought to replace the one I lost, only to find them all in the same re-purposed thing-of-a-jig box that was too too cool to throw away*-- which is to say, I found some old writing. I posted one of the poems on my Facebook page this past Sunday. I also found a book length draft of short stories I wrote while living in Illinois, including one mostly completed almost novella I had tentatively titled "Next Time, Plan Ahead." Although I'd left myself a notation that the it was on the second draft and that draft was complete, handling the pages reminded me of why it never made it past the second draft.

It was abandoned.

I abandoned it primarily because my second ex-wife*** was horrified by the fact that the bulk of my inspiration for my fiction^ came from my life -- which is to say, what was our married life.  I could provide the literary antecedents, or go down the rabbit hole of realism as a form of art. I abandoned what amounted to a year's worth of writing because, at the time, I thought I was saving a marriage.

Other than the fact that I more or less forgot about the work -- because I've been focusing on newer work, teaching, journalism, labor organizing, and getting married to the love of my life -- I haven't thought about the stories I wrote living in Illinois because... well, I'm generally in a happier mental place than I was the time. As an artifact, rereading the work brings back some really negative shit. Some of it's sad. Some of it makes me hate myself a little.

But, if I'm being honest -- and I'm always honest with you, Dear Friends and Readers -- little echoes of all that shit crop up more often than I'd like. Echoes of old habits. Old mistakes in dead relationships. Old feelings born out of the mismatched wiring of doomed relationships -- I'll tell one of those stories soon. But the trick, I've learned, is to face the echo and see it for what it is.

____________________________________________________________
* 10 mm sockets are like socks that never seem to make it back from a laundry trip, except that instead of a lone, pairless sock that could, in theory, be paired with another lone pairless sock -- there's always more than one in the sock drawer -- you've got an entire socket set (24 separate doodads and watchadoodles) that are completely USELESS. 
** In addition to hoarding things with an archivist's passion, I also love to save things that I can then put other things in to save, only to put that thing I put things in inside a larger thing with basically the same purpose. My mind palace -- and my basement-- is  a never-ending garden of Russian nesting dolls. 
*** Yes, I have two ex-wives. I write about them both from time to time, though rarely through the lens of fiction.
^ Fiction, n. A narrative that may be based on real life things but it not bound to the honesty of the events. Fiction, rather, is bound to the honesty of the writer's intent and purpose, as well as bound to the integrity of the narrative.

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I was a literary snob: low culture, high culture, and Southern Culture on the Skids

I didn't get this here baby just a choppin' on wood. -- "Voodoo Cadillac", SCOTS

But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe. - Stephen King, On Writing

"The Sisters of Eluria"

Formal education is a mixed bag. When approached with the proper mindfulness and humor, the process can be enlightening. Or at least, it used to be able to be enlightening. The powers that be have been stripping away everything worthwhile about formal education, moving away from educating a future citizenry in favor of training an army of monkeys to bear the tax burden the corporate class feels they should not have to bear at all.

But, one of the drawbacks to a formal education -- even when it was a good -- and especially a college education -- and in particular to a degree in literature -- is that sometimes, you end up getting bit by the green meanies.

If I had a dollar for every time I heard a college lit professor swear an oath against a popular writer -- in this case, Stephen King -- I'd be able to pay back student loan debt tomorrow. Seriously. There's so much jealousy and bitterness masking itself as critical contempt that it hardly seemed worth it to mention that both Dickens and Dostoevsky wrote FOR A LIVING. And while I'm not a fan of every word the guy's written -- I certainly think he needs an editor sometimes -- the fact is he's one of the more popular practitioners of the writing craft still living.

Which, if most of his academic critics were honest, is really the only problem with him. Tommyknockers could be forgiven as a serious lapse in an otherwise good string of books if he were dead and the unabridged version of The Stand were on some canonical list.

One of the things you run into in among the would-be and self-proclaimed American literati is the overwhelming notion in order to be "literary" a work must be all style. I understand this. I'm a word guy. Sometimes I just like how words sound together, and it's important to be able to string words together in an interesting.

Unfortunately, another problem you run into among the would-be an self-proclaimed American literati is that they have, for the most part, swallowed the idea that anyone who is truly engaged in the artistic process should not be able to make a living because:

1.  America is full of tasteless philistines;
2.  American culture doesn't respect the place of the arts.

You hear the second reason in public more than the first one because, well, the literati only talk that way to other accepted literati. But it's utter bullshit. Yes, thanks to the stripping away of literature and art appreciation classes from college general education requirements, it's true that the general population is increasingly less schooled on what is generally thought of as higher culture, and they are less apt to make connections between The Epic of Gilgamesh and The Force Awakens. I think about my old man, though, who was not schooled on the arts -- he was, in fact, a high school drop out who later went back for an education after serving in the military -- but who would proclaim, "I don't know art, but I know what I like."

He liked George Jones, Johnny Cash, Juice Newton, and the Cincinnati Bengals. He also loved going to the beach. He was also something of a storyteller, as his father was before him, and he was a voracious reader of the newspaper and watched the news every night.

When I started writing poetry, he didn't quite understand what would make me do such a thing. But he didn't wrinkle up his nose and tell me I was wasting my time, either -- something that more than one self-anointed member of the literati and my first ex-mother-in-law has suggested over the years.

The other thing I think of is when I published Living Broke: Stories, some of the best reception I got was from people who didn't, as a general habit, read books. They liked my stories because they identified with the people in them. All the stories were honest, un-sanitized, and sometimes brutal.

I get some of the best kinds of responses to my poetry from readers who tend to avoid poetry as well.

It's not that Americans don't have taste. That's not the problem.

The problem is that many of the purveyors* of the arts market them as some kind of exclusive club. It's not.

Sometimes it's about throwing chicken at the audience.**





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______________________________________________________
*Purveyors, not creators. I'm talking about commodifiers and sellers of art, not artists.
** If you haven't been to a Southern Culture on the Skids live show, you're missing out.

The cold settles in: more on activism, Quixotism, and the drive for a better life

and I ran back to that hollow again
the moon was just a sliver back then
and I ached for my heart like some tin man
when it came oh it beat and it boiled and it rang..it’s ringing

ring like crazy, ring like hell
turn me back into that wild haired gale
ring like silver, ring like gold
turn these diamonds straight back into coal. 

- Gregory Alan Iskov, "The Stable Song"

Every place I've lived, regardless of the general climate, is home to the same joke:

"If you want the weather to change, wait five minutes."

Given that River City was enjoying some comfortable daytime temperatures last week, the re-emergence of winter-like weather this week is yet another reminder that Ohio River Valley Weather will find a way to refuse a more optimistic seasonal categorization.  

Now, before you think I'm complaining, Dear Friends and Readers, please know that my memories of #ZOMBIESNOWPOCALYPSE2015 are still fresh.The truth is this winter has been, so far, a fairly typical winter. It would be easy to call it too cold (because right now, it sure as hell feels like it), but given Metro Louisville's inability to handle any kind of inclement weather with any aplomb it is difficult to see the winter as anything but a catastrophe waiting to happen.

I love it for all it's follies and foibles, though. Louisville has embraced me as much as any place can embrace an itchy-footed, semi-domesticated, rarely-do-well with a better than average vocabulary.

Wherever home happens to be, it's perfectly normal to find attributes about the place that make it special to you. For example, I call Louisville home. It helps that my wife lives here, and that I'm close to family. The thing I love about Louisville besides that is that it's still basically a small town... or, at least, it behaves like one. For the most part, people here do too, though anyone who hasn't been to a city that knows its a city and behaves like one would maintain that a large population and a few tall buildings are all that is required to make a city.

This is untrue.

A city has a different heart and a different soul. Not better. Different. Cities move fast and leave the past buried in dust -- at least, until it can be resurrected to turn a greasy buck for some carpetbagging capitalist. *

Louisville still has that small town heart. It's true that the carpetbaggers are at the door -- Omni Hotel, Google Fiber -- but it's difficult to not let them in after you've already invited them in and allowed them to shit all over the furniture.** I love it hear because in spite of the efforts of people to polish it, the underbelly of the city is still -- well, a turd. River towns are always a little grimy, and they need to be. All manner of things come up and down river and are deposited here. People. Goods. Art. Pollution. A sacred connection to something older, deeper, more meaningful, and fundamentally human*** that you simply don't find in other places. Yes, there is humanity in other places. Yes, there is a way to the sacred and the divine in other places.

But a river is an ancient artery that records every age. As a matter of fact, where I sit right now is nothing more than a long dry riverbed. Waters move and cut and focus the geography, leave behind something for people to use and live and take care of. The riverbed is a living thing, recording and remembering the history we don't take time to notice.

It will be this history that sits in judgement over us long after we have become the very fossils we ignore in the name of profit.

Lately I've been trying to figure out ways to leave a positive mark on the rocks instead of a negative one. Some plans have fallen through -- working to organize local adjuncts to demand better from their masters has lost serious momentum^. Working to maintain a radical labor union has also proven nearly impossible, as I am apparently too caustic and hurt people's feels^^. This has caused me to have rethink my relationships with people and remember that most relationships are transitory. But as long  as my marriage is good and my close family still embraces me, life is good.


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*Read: locally, the "Democratic" mayor and metro council's clear disregard for working people by allowing Omni Hotel developers to not hire union carpenters. Read also the vote in metro council tonight that, if it goes through will go against a standing union contract to bring Google Fiber to town. Yes, this town still has a small town heart and a small town soul... but Mayor Fischer and his "economic development team" are trying really hard to murder it.
**Read: 4th Street Live
*** To be human is to be of the dirt. We are a grimy bunch. And there's something sacred in that, too.
^Everyone agrees that change is necessary, but they're waiting for someone else to do the lifting... which never works. It's all of us or none of us.
^^It's true. As eloquent as I can be, I'm also an asshole sometimes. But don't mistake that admission for an apology. Having a difficult personality and being wrong are two different things. And I'm not wrong.