Showing posts with label #everythingswims. Show all posts
Showing posts with label #everythingswims. Show all posts

17 April, 2020

Social Distance Diary: Gimped

I can't complain. 

It'd be easy to. But complaining might jinx it and if I'm being honest, a twisted ankle isn't the worst thing that can happen during the plague year.  

And now with talk of "reopening the economy"... as if the economy has really closed... the only thing I seem to be able to focus on is what to carry forward. 

I keep thinking of my maternal grandmother, Lonnabelle Dunn, and what she carried. She lived through the Great Depression. She saved lidded plastic containers -- the kind that cottage cheese, sour cream, and margarine were packaged in. She washed them and saved them "just in case." She grew up in Crystal Lake, Wisconsin.  She taught me to play Gin Rummy, which she enjoyed because her father, a deeply religious man of an temperance bent, wouldn't let her play any card games that used face cards since face cards were used in gambling.  She would save barely used sheets of paper towel.  She could, in turns, be pragmatic and then  pollyanna.  Her world had clearly defined roles and expectations and she spent her later years watching all of that unravel. It must have seemed unfair. 

Some frugality was already set before all of this mess with COVID-19.  It's not that I'm especially good with money ... it tends to burn a hole in my pocket ... but I've been pretty good over the years at keeping reasonable, shelf stable supplies.  I've learned to be a decent cook. I'm fortunate to be married to someone who is an amazing cook. We're decent planners and not particularly scared of new things. I'm content to carry that forward, along with a renewed conviction that life is suffering and connections matter, and that people are still more important than profit.

The thing I don't want to carry forward is some expectation of normalcy. Normal is an unfortunate nostalgia. People infected with it simultaneously have a very specific, concrete notion of what it looks like but can't really seem to agree on what it means. We group together based on having similar pictures of normal in our minds.  We pass these cement abstractions on to out children, and within two generations normal becomes tradition, which is sacrosanct... until it isn't. 

A year after the 1918 flu, the Rev. Francis E. Tourscher was concerned that people were starting to forget, which is why he recorded the stories of nurses in Philadelphia for preservation in the Records of the American Catholic Historical Society of Philadelphia . He wanted the facts on record from people who experienced the pandemic because memory has a way of giving way to nostalgia. 

I both derive some comfort and am deeply horrified that our tendency to embrace nostalgia isn't tied to something as new to the world as technology.



Normal -- that infective kind of nostalgia -- often ends up running contrary to fact. And in these, the days of Trumplandia, where facts are under erasure more than ever, normal is a nostalgia we can't afford if we're to carry anything forward that will keep us alive.  So I'm going to let my ankle heal. I will need it to carry things forward. Things that matter.

31 July, 2019

[re: lines on the day I remembered my father's birthday]

"Your skin starts itching once you buy the gimmick"  - Iggy Pop/David Bowie


For years I drove out by the old house to see what the new occupants had done to wreck the place. The time I drove out and saw the buried wagon wheels at the end of the driveway, like some broken redneck gate straight out of HGTV and the western-chic issue of Better Homes and Gardens, I knew my father's imprint was worn off. Finally, indescribably, gone.

And even as I write this, I don't know that I ever made peace with that -- until now, as I come to terms with how I feel about being at my mom's, and how my own wounded vision has impacted not only how I feel about this place, but about my Losantiville as a whole. 

Only now do I understand that I must see this place like any other place -- and that this vision must extend to all places. Even the ones I allow myself to be attached to.


Summer ends just as it begins.
Places abide in a mourner's memory,
an early morning dew. No house
holds out against the wind. No island
holds out against the current.


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03 April, 2019

Field Notes, from March 29 2019: Oh, The Humanities


Air palpable with earnest outcries
read to the appropriate audience
words spent on prayers to gods
too busy to grant wishes

(From my last day at AWP:)

The folks I saw yesterday (Friday) were not out today. I want to believe that the old guy flying a sign on the corner of Halliday and MLK -- who, up close, doesn't look much older than me -- got what he needed and was able to sleep in doors last night. I want to believe that Tanya J. McDonald -- who told me her name 5 times and who was clearly released from a hospital with no sense of where she might end up -- was able to find peace and safety and some comfort in mourning her mother's death.

I saw them. I looked them in the eye and took their hands and helped in some small, temporary way. I want to believe it made a difference.

But I don't feel that optimistic today.

There's something about all the appropriate mourning and moaning here that's just so far-sighted in all the wrong ways. People see injustice at a distance and want to engage it. But when it's up close, they overlook. Or worse, they look through it like it's air.

Of course there's talk about Trump and  the peril to democracy -- mostly by white academics. When I hear work by writers of color, or by immigrant writers, or by people recounting stories of assault and the abuse of power, there is no presumption that democracy is in peril.

There is no presumption that democracy exists at all.


Beauty is abandoned
in the course of natural process --
the fragrance lingers,
a memory seized
right in the moment breath freezes.