Showing posts with label education. Show all posts
Showing posts with label education. Show all posts

13 January, 2020

“Love in action is a harsh and dreadful thing compared to love in dreams.”*

I had recent conversation about higher education and my thoughts on returning to the classroom, and while digging through some old files (looking for something else) I found this word collage. Names have been changed, and I apologize to the family of A.A. Milne and the creators of The Flintstones.








Word Collage / RE: ANNUAL EVALUATION

"During this review period (... one calendar year [January 1, 2008- December 31, 2008]...) your TEACHING SCORES -- RANGING FROM 1.17 TO 1.37 AND AVERAGING AN OVERALL 1.25 -- ARE BETTER THAN THE DEPARTMENTAL MEAN FOR BOTH YOUR RANK AND THE LEVEL OF CLASSES YOU TAUGHT. Students comment on your entertaining style and your pedagogy. "
/splice/
Your annual performance evaluation for this year is as follows:
Teaching: 2
Service: 1
Professional Development: 1
Overall: 1.8
{NOTE:  3=Meritorious performance. 2= Satisfactory performance. 1 = Unsatisfactory performance}

/splice/
"Your self-evaluation with no supplemental materials offers little evidence of service contributions and no evidence of professional development..."

/splice/

{NOTE: ON COURSE EVALUATONS, the lower the number the better. So a 1 = to an 'A'}

/splice/
From:
To: The Grand Pooh-Bah
Sent: Wed Mar 04 07:37:20 2009
Subject: Meeting to Discuss Annual Review
I am sending my annual review back signed, via campus mail, and I have saved a copy for my records. However, as you will notice, I would like to discuss it in more detail sometime soon. My score for Service does not reflect my contributions on the Steering Committee THIS academic year – which I did mention (and I thought, at some length) in my self-evaluation. Also, as with my evaluation last year, I am at a loss as to what I can do about Professional Development, as most of the opportunities that might apply are either not conducive to my schedule or too expensive.
Moreover, I am still left with the impression that being a good instructor means little or nothing… which seems ironic to me, since that’s what I was hired to do.
I am on campus on MWF and I teach from 7:30-12:40.  Is there a time soon that we could sit down and chat?
Regards,
/splice/

PLEASE RETAIN ONE COPY OF THIS LETTER FOR YOUR RECORDS AND RETURN ONE SIGNED COPY TO ME BY MARCH 23.

_X_ I will schedule an interview to discuss this review.
__ I will not schedule an interview to discuss this review.

From: The Grand Pooh-Bah
Sent: Wed 3/4/2009 10:29 AM
To: 
Cc: Pooh-Bah No. 2
Subject: Re: Meeting to Discuss Annual Review
Main Office staff makes my appointments.
--------------------------
Sent from my BlackBerry Wireless Handheld

/splice/
____________
* Fyodor Dostoevsky, The Brothers Karamazov

02 February, 2016

Working out: faith, floundering, and the limitations of mixaphors

 If any man make a vow to the Lord, or bind himself by an oath: he shall not make his word void but shall fulfill all that he promised. -- Numbers 30:3 (DR)

I want to live the real life/ I want to live my life close to the bone. - John Mellencamp, "The Real Life"

 When I was 14 I gave my life to God. It's important, for what comes next, to understand what I mean by that. I don't mean that I was baptized. Actually, I was dunked, by choice, at the age of 9. Church leadership was so skeptical of my sincerity and earnestness that I was required to participate in a series of tutorials with our minister, Dan Pence.

This experience isn't unusual; many protestant denominations require some kind of confirmation classes prior to being baptized. Though this process was never really explained to me, I've come to see it as one of those few, formalized echoes of a rite of passage -- something else I was never really told about and had to learn about through the books I read as a kid, through literature, and through my own study as a teenager and adult.*

The decision to go and be baptized, to make the confession of faith, was something I did with as much honesty and sincerity as I could -- though I later came to the conclusion that it was as much about finding a level of acceptance in some community or another rather than religious inspiration.**

When I was 14 I attended a Christ in Youth Conference in Tennessee with other kids in my church youth group. The experience was designed to be intense, focused, and, I think, intended to manipulate those attending to embrace a conservative style Christianity that has borne dangerous and distinctly unChristlike fruit.

The night I walked forward and committed my life to God, the sermon focused on Ephesians 6. They focused mostly on verse 13:

Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. (KJV)

Even then, I wasn't entirely sure that my reading and understanding of this man Jesus had any similarity to the medieval reflection I was being presented. Jesus the man I found in my own readings hung out with the botched and the despised*** -- with lepers, prostitutes, and tax collectors -- with the same sort equanimity as he had with religious leaders and the powerful. The only sin he raised his hand to was greed, when he forced the money changers^ out of the Temple.

For me, the part of Ephesians 6 that stood out to me was not all the sword and armor metaphors -- but the previous verse:

For our wrestling is not against flesh and blood; but against principalities and power, against the rulers of the world of this darkness, against the spirits of wickedness in the high places (DR)

This made sense to me, and it seemed more like this man Jesus I was trying to emulate and learn about. He did not covet power. He did not want power. He questioned power. Central to his teachings was a code of behavior that included not only being kind to one another, but questioning those who claim to have a better idea of what's right and wrong than you do.

When I felt compelled to walk forward and commit my life to God, I was not entirely sure what it meant. But again, it was honest. And while I have rejected the formal religion of my childhood, I am finding myself more and more comfortable with calling myself a christian -- i.e., a follower of Christ. I'm increasingly less interested in worrying about the state of my soul than I am the state of the life I'm living and whether I'm doing anything of use to others, although I have had my own journeys and made my own mistakes and done more out of selfishness than any of the few little bits of hopefully good work I try to do.

That's not to say I'm embracing all the notions that often get attached to the label "christian." I disagree -- sometimes vehemently and with a lot of passion, cussing, and carousing -- with nearly all of the positions taken by mainstream conservative churches.  What resonates for me on this journey is this:  I am far more interested in the actions of the man Jesus than I am in praying for the salvation of my soul. My soul probably has too much demon in it^^ to bother, and anyway, I'm not interested in embracing a life of faith out of the same fear-based need for acceptance that, in part, drove me to baptism before I was ready for it.

 I am far more interested in trying to do good and have a positive impact on my world. I'm still trying to figure out how to do that. But I suspect that's the point.



__________________________________________
* Other than every Marvel/DC hero movie/TV show I watched as a kid, I was first really keyed into the notion of the hero's journey and other rites of passage by Stephen King's The Dark Tower books. After that I started seeing it everywhere and even recognized it in the imaginative play I engaged in when I was younger. Then I And then I found Joseph Campbell and was introduced to epic poetry like Gilgamesh and The Odyssey. And other than in narrative theory books, and in the occasional fiction workshop, it was not much discussed during my formal education.
**This proved to be a problem later when I found my own faith lacking in the absence of how I had come to think -- in very reflective ways -- about the nature of grace. It eventually led to my separating myself from formal religion entirely.
***The church I grew up in worried less about this man Jesus's humanity than whether the Methodists or Baptists were going stealing away future congregants. Yes, Blair Pride. I remember ye.
^Think credit cards -- where you borrow money and then pay it back at a high rate of return to the lender. Sometimes called usuary.  
^^One of the things I've learned is that I have to embrace that, too. If we really are made in the image of God, I suspect the likeness is more about the soul than God looking like Gandalf, the White Wizard. And if that's true, then God wrestles demons, too.

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30 June, 2015

Currents Along the Dirty, Sacred River: Solidarity Updates, Of Flags and Phalluses, and Papa's Brand New (Old) Bag

 "We gave him a platform." -Toni Whalen, JCTC Head of Human Resources (via email from ORR)

My daughter, who also maintains a blog, gave me a hard time recently because I haven't been updating enough... which is a fair critique. It's not for the lack of things happening. You'd think I'd have more time to sit here, safe in the bunker, and spout off. Mostly I've been waiting for some of the smoke to clear. I've also been trying to drum up some work and have been moderately successful. Also, with all the internet either covered in stars and bars or rainbows and the passage of the the TPP  -- which will do to the globe what NAFTA did to North America -- and the fact that I am awaiting for yet another laughter filled response to my second Open Records Request.

The nature of my second request is such that I will hopefully be able to name the cabal otherwise known as #respondent53, after which I will be able to unleash the whole sorry and torrid tale of how corporate lackeys in higher education work to undermine activists and destroy the heart of what higher education used to mean... before the bean counters* and the lackeys* and the weasels* got in.

This has story Oscar movie material stamped all over, Dear Friends and Readers. As a matter of fact, I'm thinking they can get Joaquin Phoenix to play me:


Damn. Even I'm not sure that isn't me.

I kid, I kid. My nose looks nothing like that.

I'm working on an article for another blog, placing my unjust and illegal termination/banishment in the context of the national trend. And while there is plenty of good news out there, the fact is that adjunct labor activists -- particularly in the south are being targeted and removed from institutions that have no interest in higher education, in students, or in teachers.


Of Flags and Phalluses

Unless you live under a rock, you've probably heard that #SCOTUS finally agreed that the 14th Amendment applies to everyone. There is no marriage and "gay marriage." It's all just marriage, and I'm damn happy to see it. Of course, never let it be said that one idjit* or a flock of them can't ruin a good thing. County Clerks in the Kentucky counties of Boone (near Cincinnati) and Rowan (that's out in Morehead, a place near and dear to my heart.) have decided to stop giving out marriage licenses entirely because of what they believe is a divinely inspired moral objection.

The truth is, though, Dear Friends and Readers, that they are terrified at that thought of two men being intimate. I'd say they were upset about two women being intimate, but let's be honest -- that's had the wink wink naughty main stream porn nod of approval for years. Tightly crushed tits in an embrace  -- well, that and a bottle of moisturizer and you have a normal Friday night every lonely trailer park, highrise, and tenement across this country.  This obsessive objection to marriage equality is about people's personal inferiority complexes about their judas root.

I made it my business a long time ago to only worry about mine. This cut out a lot of puerile entertainment for me... most straight porn is about the penis (so that the "viewer" can imagine himself there as he "views".). But I am a happier guy for it. If you are one who spends too much time worrying about someone else's junk, try focusing on your own. Granted, you'll probably stay home more... but you'll be happier.

In the category of Red Herrings, you'll find the perpetually disturbing rukus over the confederate flag.  This should not be an argument, as far as I'm concerned. The stars and bars, like the Nazi Swastika, belongs in history books, not flying over government buildings. The fact that both Google and Amazon saw fit to block the southern cross was just one more piece of corporate opportunism.  And while the nation's Facebook users argued over flags and rainbows, Obama signed into law the most damaging and damning economic policy since NAFTA.

Racism and bigotry are not things to be tolerated or accepted, and must be fought where ever they rear their ugly, misshapen heads. But never forget that the powermongers have long used existing racism to slow solidarity and union movements and to ensure that their profit coffers are fat. Know who your enemy is.

Papa's Brand New (Old) Bag

That's right. I have managed to find work at Louisville's alternative weekly paper, The LEO. I'm back in the muckraking freelance journalist saddle again. Good Lord, I've missed it. 

Solidarity!

I want to thank everyone again who signed the petition to have me reinstated without prejudice. If you'd still like to, or if you want to pass it around, here it is.
A friend and Fellow Worker, J.P. Wright, has started a small support fund. If you'd like to contribute, go here.
Some have expressed an interest in writing letters of support of my reinstatement. Here are some addresses:

___________________________________________________

*Please see The Parsons Dictionary of Often Used Words and Phrases, Desk Ed. for proper definitions if their meaning is unclear. 

26 December, 2011

Buk Notes: John Fante


It's not necessary to read John Fante in order to understand what Bukowski was shooting for; one of the nice things about Buk is that even if you don't really get it – and most people don't – there's still something to enjoy. Readers of Bukowski who dream of being writers have tried – without success – to repeat what he did; generally, they begin with the notion, not without reason, that in order to write like Bukowski one has to live like Bukowski. The first mistake comes, however, in thinking that any form of emulation is the same as art. The second mistake is in looking at his body of work and seeing only “a drinker with a writing problem” as a writerly friend of mine once proclaimed him to be.

Although he openly balks at influence in his later work, Charles Bukowski does give one writer credit. And no, it wasn't Hemingway. And no it wasn't any of the Beats, with whom Bukowski is often mistakenly categorized. The writer that he credits the most Рbeyond the French writer C̩line Рis John Fante.

Fante is the author of Ask the Dust, Dago Red, West of Rome, The Road to Los Angeles, Brotherhood of the Grape, and others. In the Black Sparrow edition of Ask the Dust, there's a short preface by – you guessed, Charles Bukowski – in which he claims that Fante's work was the only work he found in the library that seemed like it was written for him.  Fante wrote about growing up in a poor blue collar family in Colorado, about being Italian-American, about being Catholic, about being a writer, about being a writer and selling out to write movies, about his troubles at home, about his combative relationship with his children (including the writer Dan Fante), and about his own feelings of inadequacy. Fante was one more in a slew of West Coast writers – that include Nathanael West and John Steinbeck – who had trouble making it in the East Coast / New Yorker style controlled world of literary publishing.

When you read Fante, you begin to hear the echo that drew Bukowski in and that echoed in his work as well. As a matter of fact, you hear the same thing when you read C̩line, or Steinbeck, for that matter, though they are as stylistically removed from Fante and Bukowski as Mahler is from Metallica. You see more of Buk's style in Fante Рbut of course, it's not the same, either, any more than Hemingway wrote like Sherwood Anderson. Fante's sense of hyper-drama is different from Bukowski. With Bukowski, the tone is more acerbic, and even at his raunchiest, more judgmental. Fante's hyper-drama is comically inflated:

So it happened at last: I was about to become a thief, a cheap milk-stealer. Here was your flash-in-the-pan genius, your one-story-writer: a thief. I held my head in my hands and rocked back and forth. Mother of God. Headlines in the papers, promising writer caught stealing milk, famous protégé of J.C. Hackmuth haled into court on petty thief charge, reporters swarming around me, flashlights popping, give us a statement.”

Ask the Dust is about getting published... the hunger, the failure, and even in face of potential success, the inevitable failure. Fante's world is one in which there is always moral balance: something good must be accompanied with something bad. The protagonist, Arturo Bandini, is a young writer living on nothing but good will and stolen oranges in Depression-Era downtown LA. His one credit is a short story, “The Little Dog Laughed” published in a magazine edited by J.C. Hackmuth, his literary hero. He carries copies of the magazine around, passing autographed copies to people who aren't really impressed. And as if the comic hubris and ego-crushing wasn't enough, Bandini then meets Camilla, a waitress, and falls in love with her. But she's in love with the bartender Sam, and Sam despises her. The only way Bandini will win Camilla over, Sam tells him, is to treat her badly.

The book is poignant in it's descriptions day to day living, love and loss and failure, Catholic guilt, and the self-doubt every writer experiences. Camilla is impressed with him at first, but only comes around when he's abusive. She spends time in an asylum, goes back and for the between Arturo and Sam. She ends up throwing Bandini over for Sam, who wants to be a writer – he writes westerns – and who is also dying of cancer. Bandini ends up dedicating a copy of his book – which he finally writes and is finally published by J.C. Hackmuth – to Camilla and throwing into the desert.

In the messy business that fiction writing has become – or maybe, that it's always been – there's always been the question as to whether what a writer writes in fiction bears any resemblance to real life. And with a pop culture that has both hyper-reality television and fantasy laden tomes, both of which serve as escape hatches rather than magnifying glasses of contemporary life, there's even more suspicion of writers who want to write something real. Fante was roundly criticized for this in his non-screenplay work. Bukowski was critisized for it too, though mostly by academic critics who didn't acknowledge anything after the Modernists.

The art in Bukowski is something you have to read with a knowing eye to catch. He had no intention of pointing it out, because he believed (I think correctly) that it wasn't his job to spoon feed infantile readers.

The art in Fante is a lot like that. It's easy to dismiss it as masked autobiography, or – the gods help us all – “creative non-fiction” (the bane of literary trends over the past 20 years). The point isn't whether the story is about a struggling young writer or a struggling young wizard. Literature isn't meant to be an escape... though it often can be. Literature – especially fiction – is a lens that brings life into hyper-focus. Fante accomplishes this in a grand tradition that he picked up from writers like Knut Hamsun, and which can also be seen in Eurpoean writers like French writer Céline, Italian writer Curzio Malaparte, and German writer Günter Grass. For that matter, the mantle was also picked up by writers like Stephen Crane and Nelson Algren. And maybe part of the true art is that while most readers look at Fante and see a Catholic writing about Catholic guilt – and at Bukowski and see a drunk writing about drinking – there's something else happening that you only see if you bother to pay attention.

[This was written, primarily to continue a discussion that Kaplowitz and I have had on Grindbone Radio, as well as off air. I also wrote it because, well, I wanted to add my thoughts to his well written piece here.]

18 May, 2011

Open Letter to the Alumni Association


Dear Sanctimonious Leeches and Intellectual Parasites:

I would very much like to thank you for the glossy quarterly publication in which you highlight the accomplishments of those past, present, and future graduates who you feel distinguish the grand Alma Mater in this age of for-profit degree mills and economic and educational disparity. I have always felt especially grateful to have attended because of the people I met there, student and faculty alike, who encouraged me to grow and to think and have helped me to become the fully realized human being I am in the process of becoming.

Among them, one teacher stands out more than most. And I would mention his name, but since you have never mentioned him in the aforementioned glossy publication you insist on mailing me every three months, I can only conclude that he continues to toil in the shadow of an institution that neither notices nor cares that he has set upon the world more artists and free thinkers than your College of Business has loosed successful entrepreneurs. As a matter of fact, I'm fairly certain that your College of Business – which, allowed by your President and Board of Regents, and in a premeditated and unholy fashion, swallowed whole the English Department from which I managed to graduate … twice … – has done little more for the world than set upon it an army of mediocre middle managers, all of whom were made to retrain their replacements when the companies they worked for sent all the jobs overseas.

Now, this teacher I speak of is a great poet and an amazing human being – and though that statement is a bit repetitive, I feel, nonetheless, obliged to mention both since you may not have yet made the connection. He had done none of the things that merit attention from the College of Business graduates who have risen to offices of institutional power and affluence... the poetry haters who used to pass out ruffies to sorority girls at parties the way priests hand out wafers of bread on Sunday. As a related aside, consider this: people who claim to hate poetry or to not understand it have clearly missed the point. Granted, the Modernists – Ezra Pound, T.S. Eliot, and the like – sort screwed over those of who came after because they removed poetry from the trust of the people and deposited it in the sorry Savings and Loan otherwise known as the modern college and university system. And because of those dead sorry bastards there's a lot of even sorrier living ones who have never known that poetry is a more potent aphrodisiac than chocolate.

But this does not excuse you, leeches and parasites, from the guilt you share in the whole sale theft of the American Dream. Whole generations have come up believing they need you to succeed, and if they can't afford you that they aren't worthy. And if by success they mean living the half life of a cubicle caught middle manager, techie toiler, tax payer, and amasser of debt, then your Ponzi scheme has succeeded. You rotten sons of bitches.

Along with the glossy magazine you send me every three months with the pictures of the unknowing poster children of the apocalypse, you often send me letters asking for money... a tithe, no doubt from the income you feel like you have helped me to earn. And while I would gladly spend that $25 on beer for the teacher to whom I owe so much, or for any one of the people– poets and artists all – who have graced me with their friendship, there is very little you can do, either in your form letters or in your glossy magazine to convince me that I ought to contribute to your war coffers.

If, after receiving this letter, you still feel the need to send me the glossy magazine every three months, it's your postage, not mine; the same goes for the letters you send that have gone unanswered until now and will again after I finish. But if you have any respect – scratch that – you are at all concerned about the time wasted by the poor dumb kids you put on the phone to call and try and talk me out of the little bit of money I manage to gather up, remove my phone number from your rolls; because not only will I try and convince them they need to drop out and go find themselves, I will also try and talk them into setting the the Administration building on fire before they leave under cover of night.

You are weasels of the lowest order, the spoilers of healthy minds and rapists of good solid souls. You will get no more of me.

Regards,

Mick Parsons
Mount Carroll, IL

27 January, 2009

The Whiskey Rebellion

Standing in front of my students felt like slow death. Especially the morning class. They stumbled in half asleep and acting put out and pissed off. They didn’t want to be there. I didn’t feel like entertaining them enough to make them want to stay. We played our respective roles. It was a small class – summer classes tend to be. Ten students. Three are asleep in their desks. One absence. Another, a California blonde with big blue eyes and boobs that were probably a graduation present from Daddy, was focusing on another text message. The remaining five were exchanging knowing glances along with the occasional smirk and eye roll. I was standing in front and going through my lecture on the post-revolutionary war period. My voice echoed the same as if I were lecturing to an auditorium of a thousand empty seats. I told the students (like I told myself) that the echo was caused by the cement block walls. We met in one of the older buildings on campus – the same building where the physical education and kinesiology department was.

My prepared lecture was on the Whiskey Rebellion. The students were mildly interested at the mention of booze; but once they realized I was talking about an actual historical event and not a block party, they went back to tuning me out. Maybe I wasn’t being fair to them. But somehow, I don’t think so. Just as I got around to explaining how the Articles of Confederation helped create the conditions the led up to the Whiskey Rebellion and how it, like the American Revolution, was mostly about taxation, Mandi the epic text messenger, suddenly chimed in.

“What do taxes have to do with slaves?”

I was accustomed to interruptions, and there was even a time when I welcomed them. But I hadn’t been interrupted in a while. I composed myself and reminded myself that every moment in a classroom is an educational moment. In the back of my mind, I’m thinking that maybe this will be the time that the switch will flip in Mandi’s cute little head and she’ll go from being every frat boys favorite slice to a real student. “Taxes had nothing to do with slavery,” I answered. “But, like the Boston Tea Party, taxation led to…”

She rolled her eyes. “Didn’t ANYBODY care about the slaves?”

“Uh.” I swallowed and regrouped. “Of course slavery was a divisive issue for the Founders, Mandi. You’re right about that. But the Whiskey Rebellion…”

“And didn’t we end up beating them anyway?” She was smacking her gum, chewing like cow chews cud.

“Who?”

She rolled her eyes like punctuation. “The CONFEDERATES? Duh. We BEAT them, right?”

Fuck me. “Uh, yeah, Mandi. Though you’re confusing the Articles of Confederation with the Confederated States. And really, there was no US and THEM in the Civil War. It was Americans killing Amer…”

“Well I don’t care,” she proclaimed. “Slavery is just WRONG.”

I was about to respond when her cell phone went off. Sigh. “Yes Mandi. You’re right.”

My classes were back to back. I got the luck of the draw, because summer classes normally didn’t work out that smoothly. My second class met in a slightly smaller room in a slightly newer (by a decade) building. that would have been fine, except that it was a larger class. it was almost a full class. twenty-five students. The packed in feeling added to the general attitude of displeasure and intellectual malaise. I took attendance, started my dog and pony show about the Whiskey Rebellion. I had prepared myself mentally for another Mandi. There were several to choose from.

Sometimes I felt guilty for grouping my students like that. When I started teaching, I went out of my way to learn all my students’ names. I saw them as individuals. I saw teaching as not a job or a career, but a vocation. When I ran across a some professor who clearly didn’t feel the same passion I did, I assumed they were what was wrong with the system. Higher education was hemorrhaging apathy. And, as I saw it, the individual teachers carried much of the burden. I thought about my professors. Some of them were passionate. A few were crazy. One or two were influential, at the time. Many of my professors, thought, regardless of what they taught, were distant, burned out wraiths. The tenured ones were more concerned with their research and gave the tedious duty of teaching to their TA’s. The rest found ways of coping – drinking or chasing co-eds or excessive exercise. I had a medieval history professor who cross stitched in his spare time. As you might imagine, he lived alone with five or six cats in the same house that he once shared with his widowed mother.

When I got into teaching, I had no clue as to what I was doing. But I knew one thing. I knew I didn’t want to be one of THEM. I wanted to be passionate and inspire my students to be passionate learners. I loved history – especially American History – and I wanted my students to love it, too.

But somewhere between the multitudes of Mandis and the hemorrhaging apathy, I stopped caring. Teaching history turned into telling the same joke one hundred times. After the first seven or eight times, you can’t convince anybody it’s still funny.

Thankfully, no one in the second class spoke up and it ended with a resounding silence and the sounds of flip flops slapping against the tiled floor. I looked at my clock. 11 AM. Theoretically, I was supposed to go back to my office for a few hours – just in case some poor little student had a question or wanted clarification on something in the book or lecture. No one ever showed up. The only time most of them talked at all was if they were trying to negotiate for a higher grade.

I looked up and the classroom was empty. The only evidence that a class had been there was a textbook that somebody left behind. I felt around in my bag and pulled out the flask I’d filled with bourbon before I left home, and took a swig.

That was the best part of the day.

13 January, 2009

Polite

I was hiding out in a coffee shop
pretending to be
a member of polite society
when I saw a former student.
A girl. I couldn’t remember her
name, even though
it had only been two years
since she sat in my class. I remembered
she smiled a lot and said very little
like most girls:
raised to be polite;
raised to smile in a manner
their mothers taught them.

She used to sit in front, I think
casting big blue freshman eyes. She behaved
the way ‘A’ students do—
submissive and
blissfully confused.

We didn’t speak to one another
in the coffee shop. It had taken me
half the semester to remember
her name. Now
I can’t recall a single word
she wrote.